Happy Friday Newsletter
September 20th 2024

Arts & Entertainment

  • Making Art for Navigating This Time in the World

    With multiple crises breathing down our collective necks, it is important to have creative tools to process the challenges we are facing as a society and a species. Making art to tell the story of what we are going through can be a very important strategy for building the kinds of communities we will need for the times ahead. Our 3-hour workshops will provide participants with an opportunity to use art, meditation, movement, storytelling, and brainstorming to develop expressive work in a trusting environment. We will also visualize and plan community projects that will offer positive possibilities for the future. We will be writing, drawing, making collages, moving our bodies in gentle ways and working with found & scavenged objects. We will learn supportive ways to provide useful feedback on each other’s work.

    Dates for five Saturday afternoon workshops from 1-4 pm. Dates: 9/21, 10/5, 10/26, 11/2, and 11/9. Participants must bring a journal, pen, and a folding chair. The studio is NOT ADA compatible – you will need to climb 3 staircases in the Merlino Art Center to get to Naidus’s studio space.

    Prospective participants MUST contact Bee at bnaidus@uw.edu to discuss your interest and ask questions. Cost: suggested donation is $100 per session (with a sliding scale for those who need one). Class size maximum is 10. It is recommended that you sign up for all 5 classes, but it is not necessary. A $50 deposit can be sent via Venmo or Paypal to guarantee your seat in the workshop.

  • Catch a World Premiere at the Gig Harbor Film Festival

    And Through The Portal We Go - World Premiere at the Gig Harbor Film Festival
    September 26-29

    Groundhog Day meets Heaven’s Gate when three cult members get stuck in a time loop while trying to fulfill the promise of transcendence through a portal in the woods. The new feature film from award-winning filmmaker Mike Hayhurst combines comedy and pathos in an exploration of what it means to truly transcend.

    Katie, Craig, and Mikey are the final three members of a cult that has prepared for years to achieve transcendence by stepping through the portal. After completing their final duties, the trio enter the portal…only to find themselves back at the start of the previous day. In an attempt to complete their transcendence, the trio must figure out why they are unable to get through the portal as their fellow cult members did. Will adhering closely to the cult’s teachings help them finally achieve perfection, or will they need to learn more about themselves–and each other?

    Evening Squire Productions has brought many memorable & award-winning shorts to the Gig Harbor Film Festival. The team will be in attendance for the 6th year!

    Screenings at the Galaxy Theatres
    Friday, September 27, 2024 at 1:30pm - Theatre 7 & Saturday, September 28th, 2024 at 6:10pm - Theatre 10

  • It's the 10th Annual Creative Colloquy Crawl!

    “Something Wicked Good This Way Comes” will feature three-hours of storytelling during the pub crawl styled event in Tacoma.

    TACOMA – Creative Colloquy, the South Sound’s No. 1 literary site, presents Something Wicked Good This Way Comes from 6-9 p.m. Tuesday, Oct. 1 in downtown Tacoma.
    The pub crawl styled event features over 40 storytellers presenting poetry, short stories, essays, live painting and more at seven locations spread over a six-block area in Tacoma and is completely free.

    “We strive to highlight the South Sound literary community and build relationships based on mutual admiration of the written word,” said Jackie Casella, Creative Colloquy founder. “This event is a choose-your-own-adventure type evening where you can hop from venue to venue to hear different types of storytelling, or just post up at one venue with your favorite theme.”

    This will be the 10th Creative Colloquy Crawl, which was online only during the pandemic. Each lineup has its own theme and features readers from communities throughout the South Sound. This event is free and open to all ages, though some venues are 21-and-older and may contain themes not suitable for children.

    Creative Colloquy is a non-profit that runs the annual Crawl event, an open mic reading night on the third Monday of every month at The New Frontier Lounge and publishes a printed anthology each calendar year, while also publishing short fiction, novel excerpts, essays, poems and prose on their website.

    To learn more about Creative Colloquy, the Crawl and the organization in general, visit their
    website at www.creativecolloquy.com.

  • See the Dreamy English Gardens at Lakewold Gardens

    Meet Justin Henderson, Lakewold Gardens' new executive director and lead horticulturist, as he takes you on a virtual tour of some of England’s most fabulous gardens. In this presentation, Justin will share stories and visuals from his visits to several UK gardens including Great Dixter, Sissinghurst, Barnsley House, Hidcote, and more.

    Saturday September 21st at 10am

    Tickets are $25 | $15 for Lakewold members. Your ticket includes complimentary coffee, tea and dessert.

  • You're Invited to a Season Glimpse

    Tacoma City Theaters invites the public to a special open house at the Historic Rialto Theater, Wednesday, September 25th at 10 AM. This "Pre-Season Glimpse" offers a chance to explore the venue, view ongoing improvements and share your thoughts and experiences on this iconic and historic landmark.

    The public open house will give attendees a behind-the-scenes look at these recent updates, while also offering an opportunity to meet members of the Tacoma City Theaters team. Refreshments will be provided by Corina Bakery.

    Date: Wednesday, September 25th Time: 10 am - 11 am Cost: Free

    For more information about the event, please visit http://bit.ly/openhouseRIALTO

  • Making Better Decisions

    SpaceWorks hosts a monthly workshop and this month it will be hosted at Hive.co! This interactive workshop presented by Syed Jamal, will help participants with some of the key elements of the decision-making process that lead to creating and achieving important milestones.
    This workshop will borrow heavily from the science of decision making and related research. 

    About Syed Jamal: Embracing human-first approach, my expertise is in creating long-term, win-win partnerships with program development, education management, and public diplomacy strategies.

    As a board member of the World Affairs Council of Tacoma and an international ambassador at the World Trade Center of Tacoma, I deeply enjoy being a volunteer, an advocate, and an entrepreneur to make a collective social impact.

Neighborhood News

  • Side Piece Kitchen Addresses Safety in Open Letter to Tacoma

    Dear City Council & County Council members,

    My name is Hailey Hernandez, and I own a business named Side Piece Kitchen, located on South 47th Street and Oakes Street. I am a lifelong Tacoman, and I’m very proud to be someone who was raised here. Growing up here, I’ve seen Tacoma through many of its developments and eras. I’m proud to contribute to its continued growth and focus on giving back to the community that’s been here and built the city I love so much.

    Currently, in our area, we are experiencing a problem that seems to have no solution. It’s a problem I feel torn about, as the rhetoric from both ends of the political spectrum has put me between a rock and a hard place. Now, as a small local business owner, I’m troubled by both the cause, the effect, and the full array of potential solutions.

    We moved into our brick-and-mortar location in May 2023—a former run-down Pizza Hut located in a business park that historically has a higher crime rate, issues with drug use, and sees a large number of unhoused folks. We were aware of this when we moved in, but I assure you this isn’t a case of “not in my backyard” or gentrification via an attempt to take advantage of an affordable area.

    Over the last year, I have reported a total of 48 different incidents. 40% of those have been vehicle “encampments” reported to 311—mainly RVs or stolen vehicles that are dumping their sewage, trash, or have individuals who have overdosed and need medical assistance. Many other incidents have gone unreported due to the unfortunate understanding that nothing can or will be done about it. 40% have involved aggressive individuals, usually related to these vehicle encampments. I have been assaulted twice and have had a knife pulled on us multiple times. My customers and staff have been verbally accosted dozens of times. Again, many other incidents have gone unreported due to the unfortunate understanding that nothing can or will be done about it.

    10% have been violent crime situations. 10% have been related to theft. We were robbed once by an individual who we had previously reported as experiencing a drug and mental health crisis and who was also violent and aggressive.

    Every day, we walk past individuals using fentanyl or others who are selling them the drugs. If we reported every case of that, we would clog up the phone lines. I’m fearful for the safety of my staff—not just fearful of what they may experience from the aggressive or violent folks—I worry about their cars being broken into. I worry about their place of employment having to close down due to a break-in, and I worry about the fumes from drugs that they are near or the residue left on the foils that litter the area.

    I’m fearful for myself. As I mentioned, I have now been assaulted and robbed by individuals I had previously reported due to the fear of it escalating to exactly what it became. I am regularly met with “Yeah, we can’t really do much” from the police or with long wait times—often receiving a call back from law enforcement that it will still be a long wait. I’m sick of feeling like I’m burdening the city’s resources by calling in situations that the city has burdened me with by their lack of response or overall disregard/concern for the area in which we operate.

    Yesterday, 9/7, I reported a vehicle that has been regularly selling or purchasing drugs, has been a nuisance to the area, associated folks have threatened us with violence, among other things. I received no response or contact from any agency and was directed to 311. Today, 9/8, at 9:40 a.m., that vehicle caught fire about 15 feet from my business and 3 feet from the cars of customers. The smoke and fumes from that fire engulfed my building and the line of 40 customers standing outside. That car currently sits outside, and I’m not sure if or when it will be removed. As I type this, it’s being picked through by two individuals unrelated to the incident. I’m worried it will sit there and cause the “broken window theory” to play out in real-time. We’ve tried our best to clean the area up, which has helped substantially—however, it’s ridiculous that we, as citizens and business owners, must make up for the faults of our city.

    I’m not sure what the solution is. Is it more housing, regardless of addiction status, so folks aren’t forced to sleep in cars or on the streets? Is it more resources for addiction treatment? Is it more policing? Is it a change in policy? Is it truly broken window theory?

    I often feel forgotten or see a lack of care for this neighborhood. I angrily watch as neighborhoods like the North End regularly receive new sidewalks, crosswalks, or community events, such as the Proctor one that the city put on this last week. I often wonder if the city truly does cater to these more affluent, predominantly white areas. It angers me, as somebody who grew up at a financial disadvantage, to routinely see the neighborhoods I grew up in often being pushed off to the side as an afterthought or having the city’s crime being funneled and pushed onto the streets of these neighborhoods. This is done not in an effort to solve the crime problem but to clean up these more affluent areas of town.

    As I said previously, I’m not sure what the solution is here. I even feel like this email that I’m sending right now may be pointless. However, I have a duty to the 13 people that I employ full-time at my restaurant here in Tacoma. I have a duty to the neighborhood that I operate in. I have a duty to the city to speak up. And I have a duty to myself to try to get something done before it continues to progress, I lose my business, a customer, or an employee gets harmed, or this neighborhood becomes yet another statistic. I’m sick of seeing folks on the street who are forgotten by the city and demonized by society, lacking the ability to access resources or unaware of the resources that exist for them. And finally, I’m absolutely sick of seeing this in a city that I know can do better.

    I’m exhausted, but I will continue to do what I can, be it by voting in every single local election and urging others to stay informed and do the same. I’ll continue to clean my neighborhood up, and I’ll continue to report. I won’t continue to stay quiet about these issues as I have before, mainly due to fear of it causing the image of this neighborhood to become unsightly to customers or other folks.

    We are long past the point where intervention was necessary.

    Thank you,
    Hailey Hernandez

  • Puyallup Tribal Member Shines in Upcoming Film by Lebron James

    In a groundbreaking move for Indigenous representation in cinema, the upcoming film Rez Ball is set to shine a spotlight on Native culture through the lens of basketball. The film, scheduled for release later this month, features a talented cast that includes Puyallup Tribe member Damian Castellane, bringing authenticity and depth to the story.

    Rez Ball follows a high school basketball team from a small reservation in the Pacific Northwest as they navigate the challenges of competition, community, and identity. The narrative weaves together themes of resilience, family, and cultural pride, making it a poignant addition to the sports film genre.

    Damian portrays a key character who embodies the spirit of the team. “Being part of this film is a dream come true,” they said in a recent interview. “It’s not just about basketball; it’s about our stories, our struggles, and our triumphs as Indigenous people. I’m proud to represent the Puyallup Tribe and share this narrative with the world.”

    The film’s director, Lebron James, expressed a commitment to showcasing authentic Indigenous voices both on and off the screen. “We wanted to create a film that resonates with Native audiences while also educating non-Native viewers about our culture and experiences,” they explained. “Having Damian in the cast brings an invaluable perspective to the project.”

    In addition to its engaging storyline, Rez Ball features a diverse soundtrack that incorporates traditional Native music alongside contemporary artists, further enriching the film’s cultural landscape. The production team has also collaborated with local Native communities to ensure a respectful and accurate portrayal of their traditions.

    As the film gears up for its premiere, excitement is building within the Puyallup Tribe and beyond. Local organizations are organizing viewing events to celebrate the film’s release and support Indigenous filmmakers.

    Rez Ball not only aims to entertain but also to inspire young Native athletes and empower Indigenous youth to embrace their heritage. With its unique blend of sports and cultural storytelling, the film promises to be a celebration of resilience, community, and the love of the game.

    Mark your calendars for the release of Rez Ball to Netflix on September 27th—a film that is sure to leave a lasting impact and foster greater understanding of Native culture through the powerful medium of cinema.

Need recommendations for how to spend your weekend?
Our online community calendar has you covered!

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Opportunities

  • Call for Entries for 3rd Annual Black Artists Exhibition

    The Gallery at Tacoma Community College (TCC) invites Black artists in the South Puget Sound to submit entries for a juried art exhibition.

    The 3rd Annual Black Artists Exhibition is an expanded opportunity for Black artists to share their work with the public and to dialogue with members of the community about their inspiration and how it is manifested in their artistry.

    Application Deadline: October 11, 2024
    Exhibition: February 10-March 7, 2025

    Artists may enter up to three submissions for consideration for the exhibition.

    Artists who have shown their work in previous exhibitions at The Gallery at TCC are welcome to apply.

    Entries will be judged based on creativity and quality by members of TCC and the Tacoma community.

    If selected, artwork should be display-ready and delivered to The Gallery on or before January 31, 2025 between 10 a.m. and 4 p.m. Delivery and pick-up of materials and works selected for the show are the responsibility of the artist.

    Click here to apply

  • Community Arts Projects Funding Applications are Open

    The City of Tacoma is now accepting Community Arts Projects funding applications from eligible organizations and groups producing publicly accessible arts programming across all artistic disciplines within Tacoma city limits in 2025.

    Community Arts Projects funding can be used for a variety of projects, including, but not limited to, artistic presentations, activities, events, workshops, experiences, festivals, performances, or other projects that are accessible to the general public – either in-person and/or virtually. Funded projects must take place in Tacoma and be completed between January 1 - December 31, 2025.

    In alignment with Tacoma City Council Resolution 40622, the Tacoma Arts Commission is committed to sustained and transformational anti‐racist work, including investing in communities most impacted by racial, social, and economic inequity. This includes emerging and grassroots groups directly serving their communities and collaborations between organizations. All applications will be reviewed, and funding decisions made, using the evaluation criteria listed in the funding guidelines. As part of the funding allocation process, the panel will prioritize funding for applicants or projects that meet one or more of the following:

    - Organizations who will use Community Arts Projects funding to fairly compensate artists and collaborators, especially BIPOC artists and collaborators, to create work that is central to the project.

    - Organizations, projects, or strategies that primarily give voice to:

    - Racial justice and/or social justice

    - Economically or socio-economically marginalized communities

    - LGBTQIA+ communities

    - People with disabilities

    - Organizations whose primary intentions, practices, and mission are by, for, and about BIPOC communities

    - Projects that will address emergent community needs

    Click to Learn More and Apply

  • Film and Art Festival Calls to Creatives Second Year in a Row

    The City of Tacoma, in collaboration with local marketing agency Foster’s Creative, summons creatives of the community to submit pieces to the second installment of the Ground to Sound Film & Art Festival after its successful debut earlier this year.
    Dive into an ocean of inspiration, as the City of Tacoma comes together to celebrate the shared mission of protecting and restoring our precious natural resources to keep Tacoma clean, safe, and livable through garbage and recycling pickup, wastewater treatment, household hazardous waste disposal, protection from stormwater pollution, and more. G2S is a call to action by the City of Tacoma for the health of our neighborhoods, our marine ecosystems, and Tacoma’s future. This year’s theme is “Healthy Sound. Better Tacoma. Now and Forever.”
    All filmmakers, storytellers, and environmental enthusiasts are invited to submit their cinematic and artistic creations! Works should highlight the urgent need to reduce stormwater drain pollution that can impair and damage our valuable ecosystems and the environment we all cherish.
    The film fest features four submission tiers including an elementary tier (k-5/6th grade, depending on district), junior high and middle school tier (6/7th-8/9th grade, depending on district), high school tier (9/10th-12th grade, depending on district), and adult tier (age 18+, not graduated or no longer attending high school). Additionally, there is a $500 cash prize for “People’s Choice,” as voted by attendees of the film screening and post event, as well as a $75 cash prize per winner for four monthly photo submissions from October to January.

    The top five winning submissions from each tier will be selected to win prizes and first place from each tier will be screened at the Ground to Sound Film & Art Fest. All winners are awarded cash prizes, a certificate award, a G2S tee, and VIP bag.
    This coming year’s festival is tentatively scheduled to take place March 14, 2025 at Foss Waterway Seaport with full event details to follow. Guests can anticipate the presence of multiple pop-ups and partnerships such as Champagne Sunday, A.G Joints, Julia Josephine, Tacoma Photo Center & Club, River Meschi, Creative Colloquy, and Gloria Joy Kazuko Mahammad.

    All films are due by December 1, 2024 in order to be considered. For submission requirements, judging criteria, prize information and more festival information, visit https://www.groundtosoundfilmfest.com/submission-requirements.

Film & TV Reviews

Review: Season 3 of The Bear

Carmy, Sydney, and Richie have finally opened up their fine-dining restaurant, The Bear, to the public, however all is not going to plan. The restaurant is losing money and in an effort to save the restaurant, Carmy pushes himself harder than ever, and demands excellence from his crew, who do their best to match his intensity. However, this quest of culinary excellence propels the crew to new levels of stress as they struggle to keep it together.

If the latest season of The Bear is not the message to all the awards academies that the series is a drama, not a comedy, then I don’t know what will convince them.

FX/Hulu’s The Bear continues to redefine itself as it goes into its 3rd season. The first season was a perfect mix of drama and comedy, and as the seasons progressed, it has shifted into the realm of drama, despite what the series might say. However, the latest shift of the series has left me with mixed feelings.

Carmy and company finally have everything that they want. They are running a fine-dining restaurant that has become the hit of the town. However, everyone is dissatisfied, thus leading to everyone constantly butting heads. This tension and dissatisfaction is raised several degrees once they find out they are being reviewed by the Chicago Tribune. On paper there is nothing wrong with this story. It is a fascinating thematic journey of depression and anxieties that is caused by the fear of failing. However, this thematic journey does not make for compelling television. And it is especially not compelling when outside of Sugar giving birth, nothing happens this season.

There are moments in this season where this thematic exploration is beautifully explored. The opening episode of this season is one of the best episodes of the show. It is simply a montage of Carmy’s journey to becoming a chef, from his humble beginnings to the inevitable toxic environment of restaurants warping his love of cooking. This thematic journey is further seen in episode 6, Napkins, where Tina struggles to find purpose after being layoffed. Ice Chips is about forgiveness, generational trauma, and the anxieties of becoming a parent. When the series puts a singular focus on exploring some of these themes, the series is at its best. However, for the rest of the season everyone is depressed and is yelling at each other, which becomes tiring after a while.

I understand that The Bear is meant to be an exploration of mental illness and what mental illness will do when it is not in check. And I especially understand that this season is supposed to be about depression. However, when this exploration is boiled down to everyone yelling at each other and pouting in the corner for 70% of your season, it makes it an incredibly bland feast. Then when the series attempts comedy with Matty Matheson and Rickey Staffieri annoying characters, it makes for an annoyingly bland feast. All of this blandness is especially frustrating when this season has some of the best filmmaking and acting of the series.

As the seasons have gone by, the series has continued to explore numerous ways of telling its story without sticking to one kind of a cinematic language. The editing, cinematography, sound design, and overall direction is incredibly diverse here. From capturing the high intensity of a

busy restaurant, to the calm serenity of being in your element and the intimate emotions of childbirth, this series knows how to change its language to match its script in some of the most profound ways. Furthermore, the acting is again some of the best in television. Even though their performances are not comedic, they are still some fantastic dramatic performances. Jeremy Allen White, Ayo Edebiri, and Ebon Moss-Bachrach continue to deliver some fantastic dramatic performances. However, this season belonged to Liza Colon-Zayas and Abby Elliott as both were given episodes catered to their characters. Colon-Zayas frustration of her character navigating the reality of unemployment is raw with subtle emotional frustration. While, Elliot delivers an intimate performance as she navigates the complex emotions of becoming a parent. Overall, it is frustrating to see this series be dragged down by its melodramatic writing.

In conclusion, I am left conflicted with this season. Everything in this season was on point, except for the writer. Yes there were many moments when the writing hit its strides, but within those strikes was a sea of nothingness that ultimately added to nothing other than our characters pouting for 10 episodes. I look forward to the next season, but my expectations will be wary.

My Rating: B

By: Elizabeth Malloy

Toronto International Film Festival Capsule Reviews

The Luckiest Man in America

The Luckiest Man in America is a simple, straight forward, film about the true story about the man who found a loophole in one of America's most popular game shows, Press Your Luck. It is wildly entertaining and fun, with the film being entirely held together by the charismatic cast. Overall a fun time that will take you back to the 80s.

The Brutalist

After hearing the term “masterpiece” and “The Next Godfather” thrown at Brady Cobert latest film The Brutalist, I expected nothing short of a masterpiece. However, I found myself conflicted about the film. From a technical perspective, the film is a masterpiece. The cinematography, direction, editing, sound, score, and acting are all worthy of a masterpiece. However, I struggled to connect with the story. I don’t know what message I am supposed to get from the film as I was left confused. If it is trying to tell the audience that Brutalism is a beautiful architecture, it failed on that front as Brutalism is one of the worst architectural decisions that mankind has ever made.

Hard Truths

Hard Truths is frustrating to say the least. Every single scene in the film is excellent with great performances from the ensemble. The writing and the direction was on point for every scene, However, when these scenes are strung together into a film, it ultimately adds up to nothing. It felt like a scene was missing that was meant to fill on the context for why our protagonist is so angry at the world. Sadly, no emotional bridge left me emotionless as the emotional reconciliation commenced. Overall, great individual scenes won’t make for a good film.

The Last Showgirl

I totally get what The Last Showgirl was trying to be. It was attempting to be a portrait of a woman who has formed her entire personality around her being a Vegas Showgirl for 40 years, and her life being shattered when her show ends. It is attempting to tackle agism, abandonment, and coming to terms with coming older. However, these attempts are fruitless when the film doesn’t have the proper foundations to set these themes up. You can clearly see what the film is trying to do, it just executes it poorly. With that stated, the ensemble does their best to keep the film together with a career best performance from Pamala Anderson, and scene stealing performances from Jamie Lee Curis and Dave Bautista. Overall, you can see the potential of the film, but you will mourn its poor execution.

Pedro Paramo

I have a feeling that if you have not read Pedro Paramo, then you will be as confused by the film as I was. Overall, I was left intrigued by the film as it explored death and mortality. So much so that I have bought the book on amazon. However, I was confused by the film with its multiple storylines and never ending stream of characters. I believe this confusion is caused by the source material. Besides this, the performances were great across the board and Rodrigo Prieto makes a promising debut as a director as he knows how to create an ambient atmosphere. Overall, it shows promise but it is a bit confusing.

Nightbitch

On paper, Nightbitch shouldn’t work as a film, but by some miracle it does. The trailer does the film dirty as who knew watching a film about a struggling mother embracing her wild side turning into a dog would have been so resonating and impactful. I respect the fact that this film decides to take a different approach about the struggles of motherhood. Instead of a beautifully depressing look at motherhood, Nightbitch takes on a more primitive, yet innovative look at motherhood. It embraces the good, the bad, and the ugly side of being a mother. Amy Adams has finally put her career back on track by forgetting about Oscar roles and decided to embrace her wild side. My only complaint is that the tone was a bit inconsistent and I wished the film went a little more crazy. Overall, Nightbitch was much better than what I was expecting.

We Live in Time

If you watch the trailer for We Live in Time, the film will play out exactly how the trailer suggests. A basic, soppy, British tear-jerker film. However, just because you know exactly what you are going to get, doesn’t make it bad. Despite its basic premise, We Live in Time executes this basic story incredibly well. Florence Pugh and Andrew Garfield hold the audience's attention with their unmatched chemistry, and if it weren’t for their performance the film would have fallen flat. Overall, an effective British tear-jerker with great performances, but nothing more.

Jane Austen Wrecked my Life

As someone who despises romcoms, I thoroughly enjoyed Jane Austen Wrecked My Life. Even though you can predict the entire plot of the film within the opening minutes, it was still a cute film. The film was warm and cozy. The performances from the ensemble perfectly fitted the film's tone. And with the title of Jane Austen Wrecked My Life, how can you not love it.

The Return

I have always been a fan of mythology and The Odyssey is easily one of my favorite mythological stories. Then with the information that Ralph Fiennes will be playing Odyssus, I was ecstatic. However, I am left with mixed feelings for The Return. I loved that the film stripped the story of its mythological elements and told the story in a grounded manner. For example, instead of Odyssus being trapped on Ogygia with Calypso, he was simply with another woman for five years. Odysseus being a tormented war veteran who is ashamed to return home is a compelling story, yet I found myself sadly bored with the majority of the film. Ralph Fiennes obviously kills it as Odyssus, especially then Ithaca turns into a bloodbath. However, I can’t help but feel like he is wasted here due to how boring the film is overall. Overall, I think it was an interesting concept, but poorly executed.

April

I do not know what to think of April. I believe the film had good intentions to explore the complicated subject of abortion, a subject that many refuse to have a civil discussion on. But I believe that it went about it in the worst way possible. The film consists of many long takes, with many of them lasting at least ten minutes. Some of these takes were pleasant and well done. While others were outright distasteful. For example, we witness a fifthteenish minute long take of a girl getting an abortion. Even though her reasons are valid, the scene is nothing but hearing her whimpering and sounds of an abortion. Yes, you read that correctly, you hear the abortion procedure. It is deeply uncomfortable and it felt like the wrong way to make a case for abortions.

Queer

Queer was definitely not what I was expecting as Luca has decided to get weird again. I was expecting a relatively straight forward queer drama, but what I got was a surreal fever-dream queer melodrama. And I am unsure if I liked it because it was like a hallucinogenic, it will either work or not work for you. It feels like I need a rewatch to get my thoughts together, but I will say that it is undoubtedly a well made film. Daniel Craig delivers a career best performance that will most likely earn him his first Oscar nomination as a tormented expat who is struggling with alcohol, opioid, and sex addiction. Equally Drew Starkey delivers a career breakout performance as a young correspondent who is struggling with his sexuality. Overall, I am unsure how I feel about the film.

The Life of Chuck

Mike Flanagan has continued his trend of sending me into an existential crisis with his latest feature, The Life of Chuck, adapted from the Stephen King short story of the same name. Yet, despite the uncomfortable themes of death, life, and mortality, it was comforting. It was telling me that everything was going to be ok. Who knew that two horror kings could have put together a story that was heartwarming and blissful when confronting our gift of mortality.

The End

The more I think about The End, the less I like it. While watching the film, I was having a pretty good time with it. I enjoyed the bizarre concept the film sets itself up as, a musical about the people who ended the world living in a bunker. As someone who hates movie musicals, I enjoyed the performances and all the musical numbers. However, upon further pondering, I find myself conflicted. The characters feel far too likable and nice for this kind of film, especially when they helped cause the end of the world. I don’t know if this is because of the script or because of how charismatic the ensemble is, but the film felt kind to them. Overall, I don’t know how to feel about the movie and feel like I need to rewatch it to better sort my thoughts.

Happyend

So during this screening is when my brain decided it was bedtime, so for the first half of the film I was in and out of sleeping. However, when my brain decided to wake up, I enjoyed Happyend. I thought it was a fascinating concept tackling the concept of freedom vs. security, as well as racism in Japan. I won’t give this a full review, but I liked what I saw.

The Wolves Always Come at Night

Sadly, this is another film where my body decided it was nap time. But, from what I did see, this is easily one of the most beautiful looking films that I have seen all year. The cinematography of the Mongolian wilderness is breathtaking. However, The Wolves Always Come at Night is not your standard documentary. It is a docu-fiction that blurs the lines between documentary and fictional storytelling.

The Wild Robot

The Wild Robot is one of the most beautiful films of the year. The animation is stunning as every frame is a painting as the film adopts the style of oil paintings to animate its world and characters. However, despite having some of the best animation of the year, the story feels a little flat. Obviously, it covers important themes such as found family, parenthood, and friendship that are great for families. However, these themes felt very surface level and safe. Overall, a great film that will definitely give Inside Out 2 a run for its money, but still a little on the surface for my taste.

Emelia Perez

I admire Emelia Perez for its ambition. It really threw some concept at the wall to see if it stuck, and it mostly did. The crime musical about a cartel boss transitioning should not have worked but by some miracle it does. The musical numbers are mesmerizing and fun. The performances from the ensemble are fantastic. The direction and technicals are all outstanding. However, despite this praise, I found the film was missing a very important scene regarding the morality of Emelia Perez. The moment she transitions, the film completely absolves her of all the wrong doing that she did as a cartel boss, and that puts a bit of bad taste in my mouth. If the film would have added a scene holding her accountable for her actions as she undoubtedly caused the deaths of hundreds of people when she was a cartel boss, it would have added the needed moral ambiguity to her character. Overall, I respect its ambition and I think it would have been great if it had that one scene.

The Penguin Lessons

The Penguin Lessons is a heartwarming film about an English teacher rediscovering himself after he unexpectedly comes into possession of a penguin in 1970s Argentina. It is a heartwarming exploration of found family and the healing power of animals. Steve Coogan's performance is filled with all the dry wit and nuance of tragedy expected of his character. However, the film does run into some bumps as it poorly does a commentary of facism in Argentina. Outside of this hurdle, it is a cute film that makes for a simple crowd pleaser.

The Friend

The Friend is not an outstanding indie flick nor is it a forgettable one. It plays out like a standard Hallmark movie, but it turns into something more. Our character is grieving the loss of her best friend and as she is processing her grief she takes ownership of her friend's Great Dane, Apollo. Together they process their shared grief in a really heartwarming manner. Naomi Watts is great and Bing the Great Dane is equally as great. However, the film doesn’t dive into grief as much as it could have, but the film mostly works.

The Seed of the Sacred Fig

The Seed of the Sacred Fig is one of the most courageous films to come out this year. Mohammad Rasoulof after serving several prison sentences from the Islamic Revolutionary Courts, he decided to make a film (The Seed of the Sacred Fig) about the unjust Iranian government. This film caused him to be sentenced to eight years in prison and subjected to public flogging. In response he fled Iran and claimed asylum in Europe. The Seed of the Sacred Fig is a vicious and important takedown of the totalitarian government of Iran. From the oppression of women to the killing of innocent civilians, the film does not hold back its subject matter. This subject matter is held entirely within a family household as the generational and religious divide begin ripping the family apart as protestors begin taking the streets. It makes for an engaging thriller that will keep you on the edge of your seat. The performances across the board are outstanding. However, I do think the film loses a bit of steam in the final act as character decisions become questionable and the ending drags out much longer than it should. Overall, a very important film that could have used a bit of fine tuning.

Riff Raff

Outside of a handful of scenes I found myself cringing throughout Riff Raff. Which is shameful given the film completely wasted Jennifer Coolidge and Bill Murray. I get that the film is supposed to be a comedy about how messy families can be, and you can see that premise shine at some points. But overall, I found myself indifferent to the film.

Hold Your Breath

Bless Sarah Paulson in her ability to carry an entire film on her back, because that is what she did with Hold Your Breath. On paper I think Hold Your Breath is a really fascinating film. Setting the movie during the Dust Bowl is a perfect and underutilized setting for a horror movie. Hold Your Breath does utilize this setting pretty well with its bleak and desolate cinematography that perfectly encapsulates the Dust Bowl. It is just the rest of the film that is lacking. It has moments where it does hit its strides, but it mostly falls flat on its face, with Sarah Paulson being the single stand that keeps the film together. Overall, the movie showed promise, but sadly falls flat.

Flow

Flow is visual storytelling at its finest. Without a single word spoken, it delivers a sweeping survival epic as we follow a lone black cat and fellow animals trying to survive a biblical flood. The animation is stunningly beautiful as the audience is immersed into this sweeping epic. Enhanced by its beautiful score, this film will pull the heartstrings of all animal lovers. Easily one of the best animated films of the year, as well as being one of the most stressful films of the year.

Screenshots

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