Happy Friday Newsletter
November 15th 2024

Arts & Entertainment

  • The Grand to Host Screening of Never Perfect, Never Over

    Never Perfect, Never Over is an unapologetic, hour-and-20-minute deep dive into the relentless spirit of harm reduction, featuring Tacoma’s own Dave Purchase. Born and raised in the gritty neighborhoods of Tacoma, Dave knew his city and its people—and when the AIDS crisis of the 1980s tore through communities, he and his friends couldn’t stand by. Defying stigma and bureaucratic hurdles, they set up the first legally sanctioned syringe exchange in North America, lighting a spark that ignited a nationwide movement. Their radical dedication laid the foundation for harm reduction practices that continue to save lives in the face of today’s opioid crisis.

    This documentary goes beyond Dave’s story; it’s an unfiltered look at the early days of harm reduction, capturing the raw determination of activists in the 80s and 90s who pushed back against fear and misinformation. With candid interviews and gripping storytelling, Never Perfect, Never Over honors the origins of a fight that is still very much alive. It’s a rallying cry for resilience, compassion, and a reminder that the work we do today stands on the shoulders of those who came before.
    Be part of this movement! Witness the legacy and feel the urgency. December 4th at The Grand Cinema in Tacoma. 7:30pm to 10pm.

    Tickets available now on Eventbrite.
    https://www.eventbrite.com/e/1041455109267?aff=oddtdtcreator

  • Tacoma's Newest Gallery Barlow Expands to Second Location in Hotel Murano

    Barlow Gallery, downtown Tacoma’s newest and most active art gallery, announced they are expanding their footprint with a second location inside Hotel Murano.

    Art lovers and community members are invited to attend the grand opening celebration on Tuesday, December 3rd, 2024, at 3:30pm at the new gallery located inside the main entrance of Hotel Murano, at 1320 Broadway in downtown Tacoma. Enjoy the artwork, enter a raffle and celebrate with a ribbon cutting sponsored by the Tacoma-Pierce County Chamber. Learn more and RSVP: Eventbrite | Facebook

    Featuring the largest curated collection of fine art and photography in South Puget Sound, Barlow Gallery offers over 500 paintings, sculptures, photographs, and jewelry from dozens of international artists and photographers, with the majority coming from the Pacific Northwest.

    New artists and their works are regularly circulated every few weeks at both Barlow Gallery locations, in addition to all art being displayed in a robust online gallery at barlowgallery.com.

    Featuring rich profiles for each artist, the virtual gallery is designed to excite art lovers, encourage new collectors, and inspire people and the spaces where they live and work. Owners Ron Stevenson and Rachel René have created welcoming spaces where purchasing art and supporting artists is affordable and customizable. In addition to offering original artworks, Barlow Gallery enables the highest quality digital reproductions and giclée prints to be created in any size from any painting or photograph in inventory, on materials including paper, metal, acrylic, canvas, glass, or wood.

    The extensive meeting spaces throughout the facility will enable Barlow Gallery to regularly hold new and larger events featuring new art and new artists.

    “We eagerly welcome Barlow Gallery to Hotel Murano with their shared passion for the arts, believing that together we can inspire creativity and foster a vibrant art community,” said Thomas Pavlik, Area General Manager for Benchmark Luxury & Lifestyle, operators of Hotel Murano.

    Barlow Gallery in Hotel Murano opens to the public Tuesday, November 19th. Explore the diverse collection of fine art in the main Barlow Gallery location at 1328 Market Street in downtown Tacoma, directly behind Hotel Murano. Visit barlowgallery.com for current hours and the latest exhibition information.

  • Tacoma's 79th Annual Tree Lighting 11/30 at the Pantages Theater

    Welcome the holiday season with Tacoma’s annual tree lighting ceremony on Saturday, November 30, at 5 pm at Pantages Theater (901 Broadway).

    The excitement begins at 3 pm with Tacoma Concert Band’s holiday show The Most Wonderful Time of the Year. Hear a holiday program featuring selections from popular holiday classics like Home Alone and Polar Express. Tickets are available on the Tacoma City Theaters’ website, and guests 18 and under can receive free tickets by calling or stopping by the Tacoma City Theaters’ Box Office located at the Theater.

    Tree lighting festivities begin at 5:00 pm with a free community open house at the Pantages lobby. Enjoy complimentary hot drinks and cookies, photos with Santa and Mrs. Claus, and live music by a brass quartet from Joint Base Lewis-McChord. Radio station KNKX joins this year’s event as a proud media partner, with host Paige Hansen as MC. They will also open their nearby studio for tours from 4:30pm (930 Broadway). At 6 pm, gather outside to join the countdown and light the holiday tree while an annual community photo is captured.

    Upcoming performances include: comedian Joe Gatto, Seattle Men’s Chorus: Ho Ho Ho!, God Is a Scottish Drag Queen, Symphony Tacoma: Holiday Favorites, Disney Jr. Live on Tour: Let’s Play, The Midwinter Revels: Christmastime in Seneca Village, Tacoma City Ballet: The Nutcracker, and ABBAFab: A Holly Jolly Christmas.

    The holiday tree, a magnificent 70-foot redwood that began its journey as a seedling right here in Washington, will take center stage this season. Adorned with 250 feet of vibrant holiday lights and cheerful decorations, this impressive conifer will shine bright at 9th and Broadway, welcoming visitors and spreading holiday joy. Stop by to take in the festive sights anytime until January 1, 2025!

    Staying in the festive spirit, the Pantages Theater lobby will be opening the doors on December 3 for free holiday pet and family photos. As part of Downtown Tacoma Partnership’s Haul Crawl, a professional photographer will be on site from 4 pm to 7 pm.

    On December 26, the traditional Menorah lighting will be held at the Pantages - – more details to follow.

    For information about these and other events. visit TacomaCityTheaters.org. Tickets to Tacoma Concert Band’s performance are available online or by calling 253-591-5894.

  • Come Learn the Neuroscience of Tarot

    Looking for a fun night of Art+Science+Mysticism? Check out the interactive workshop looking at the Neuroscience of Tarot. Neuroscientist Siddharth Ramakrishnan will walk through some exercises illuminating how we move from imagery to intuition using Tarot. The official launch of the book "The Neuroscience of Tarot", the workshop will be followed by a book signing. Books will be available for purchase or can be ordered at the Logger Store.

    November 20, Trimble Hall, University of Puget Sound

    6-630pm Mingle with food and drinks

    630-730pm Workshop + Talk

    730-8pm Book signing + More mingle time!

    Come. Converse. Collaborate. Bring a Friend

  • Join the DragonLight Parade in the McKinley District

    There will be a fire-breathing dragon, a marching band, light art and hopefully YOU!

    Sunday, November 17th - East Side, McKinley

    Lantern making begins at 6:00pm and Parade from 6:30-7:00ish.

    Come march with the revels! Make noise, show off your groovy moves, or come in your lit up parade gear that you can put together in the parade brigade workshop on Saturday 11/16.

    Find out all the details HERE!

  • Watch Out for this New Space Downtown!

    Exciting things are happening downtown!

    Have you seen the new sign? This project has been a long time coming, but Kelly’s Olympian is coming soon to Downtown Tacoma.

    Kelly’s is one of Portland’s oldest restaurants & bars, and they’ve been working hard on their 2nd location right here in the heart of Tacoma.

    With an enthusiasm for all things motorcycle, this impressive new venue will be home to live music, amazing food and drinks, a great bar scene, and all around good vibes.

    Stay tuned for more updates on the new downtown @kellysolympian!

Neighborhood News

  • The Humane Society is Waiving Fees Thru 11/17

    Due to current overcrowding, the Humane Society for Tacoma and Pierce County is waiving all dog adoption fees until Sunday 11/17. This is in response to their influx of intakes this time of year. Currently they are housing 130 dogs at the shelter and another 70 in foster homes.

    The shelter is currently over its kennel capacity, so they are currently housed in offices or even temporary crates. It is a bit of “crisis mode” for them so they are looking to the community for help.

    The Humane Society says that the community can help alleviate the strain by adopting, fostering or giving a healthy dog a temporary home while they work to manage the situation at the shelter.

    If you find a healthy lost dog, the shelter encourages you to take the following steps:

    1. Provide a temporary home; 2. Walk the dog around the neighborhood to attempt to find its home; 3. Check for a microchip at a vet clinic, pet store or shelter; 4. Post online and around the community to help locate the owner; 5. Contact the shelter to include the dog in the found pets records and on their website.

    If you are curious if adopting or even sheltering a dog is right for you, CLICK HERE to go to the website to learn more about how you can help.

  • Mobile Surveillance Trailers Deployed to Curb Pierce County Crime

    In response to community concerns, the Puyallup Police Department and the Pierce County Sheriff's Department have deployed mobile surveillance trailers in the South Hill area of Puyallup. These units are strategically placed in parking lots and other public spaces to deter criminal activities, including drug use and property crimes. Residents have reported a noticeable decrease in loitering and suspicious behavior since the deployment of these trailers.

    Mobile surveillance trailers are equipped with high-resolution cameras, motion detectors, and, in some cases, loudspeakers. They serve as both a deterrent and a tool for law enforcement to monitor and respond to incidents in real-time. The visible presence of these units signals active surveillance, which can discourage potential offenders and enhance public safety.

    As the holiday season approaches, law enforcement agencies remind residents to secure their belongings by keeping valuables out of sight in their vehicles. Visible items can attract thieves, leading to vehicle break-ins. By combining proactive measures like the deployment of surveillance trailers with community vigilance, authorities aim to maintain a safe environment for all residents.

    While specific deployment locations can vary based on current needs and crime trends, these units are commonly placed in: high-traffic public spaces like shopping centers, parks, and transit hubs where large groups gather; construction sites to prevent theft and vandalism of equipment and materials; event venues during festivals, concerts, and public gatherings to monitor crowds and ensure safety.

    They have also been deployed to neighborhoods experiencing increased crime. These are areas identified by law enforcement as having a surge in criminal activity.

    For the most current information on specific deployment locations, contact the Pierce County Sheriff's Department or local law enforcement agencies directly.

  • The Greater Tacoma Convention Center Celebrates 20 Years

    The Greater Tacoma Convention Center (GTCC) is marking the milestone of 20 years serving the community with an open house reception on Thursday, November 21, 2024, from 4 p.m. to 7 p.m. This celebration invites community members, partners, clients, and local organizations to come together and celebrate two decades of the convention center’s lasting contributions to Tacoma and the surrounding region. Attendees are encouraged to RSVP at tacomaconventioncenter.org.

    Since opening in 2004, the GTCC has been an economic catalyst, drawing over 100,000 visitors annually for a total of nearly 2.5 million guests and a cumulative economic impact over $650 million.

    In 2023 alone, events hosted at the convention center generated an estimated $27 million in economic benefit and supported 26,000 hotel room nights throughout Pierce County, including Fife, University Place, and Lakewood.

    For the past 20 years, the convention center has driven economic impact for the region, holding a diverse array of events that serve as a gathering place for our community and a gateway for visitors to experience the vibrant culture and offerings of our city.

    This milestone is an opportunity to reflect on the center’s impact and look forward to its continued role in Tacoma’s growth.

    As Tacoma’s reputation as a premier event destination has grown, so too has the convention center’s role in driving major economic events. Its staff, recognized for excellence and innovation, continue to provide outstanding service to a variety of events, from large conventions and tradeshows to regional and national sporting competitions. The award-winning team, some of whom have been with the venue since its inception, were recognized in 2019 with the International Association of Venue Managers (IAVM) Venue Excellence Award and, this year, the facility was again named among EXHIBITOR Magazine’s Centers of Excellence for the fifth time, underscoring the commitment to world-class hospitality and adaptability.

    The Convention Center’s ability to host large-scale events received a significant boost with the opening of the Marriott Tacoma Downtown Hotel in 2021. This addition, along with other recent hotel offerings, expanded the city’s hotel capacity, enabling the center to attract larger scale regional, national, and international events. This strategic shift by the GTCC has allowed the convention sales team at Visit Tacoma-Pierce County (VT-PC) to target larger events, resulting in a higher number of room nights and greater economic impact to the region. By late 2024, VT-PC has already secured over 39,000 future room nights and nearly $29 million in projected economic impact.

    Youth sports competitions have also found a home at the GTCC, transforming the first quarter each year into a vibrant season of athletic events. Over the past decade, youth sports have grown from contributing 5% to an estimated 25% of the center’s economic impact, with events ranging from gymnastics to martial arts and dance. These competitions bring thousands of young athletes, families, and spectators to Tacoma, creating an influx of visitors and a lasting positive economic effect throughout Pierce County. Reflecting Tacoma’s commitment to diversity, the GTCC has become a dynamic venue known for its adaptability and commitment to inclusive events. Working closely with clients, the center’s team designs tailored event logistics and catering that reflect each client’s unique cultural preferences, providing an authentic experience for attendees. By partnering with local caterers, the GTCC creates meaningful experiences that honor and celebrate cultural events such as weddings and other celebrations.

    In its two decades, the Greater Tacoma Convention Center has integrated unique artistic elements that enrich visitor and community experiences. The center features key pieces of the City of Tacoma’s public art collection, showcasing the region’s vibrant creative spirit. Seven installations are displayed throughout the facility, including Andy Warhol’s Flower for the Tacoma Dome and Apotheosis by Stuart Keeler and Michael Machnic, which is crafted from reclaimed old-growth timber and hand-hewn by J. Michael McGuire of the Fort Nisqually Living History Museum. Each winter, the GTCC also joins the annual Tacoma Light Trail, becoming a radiant stop along an illuminated art walk that brightens the season and celebrates the community’s creativity.

    The 20th Anniversary celebration promises an engaging evening, showcasing the warm and genuine hospitality for which the venue is known. For more information about the Greater Tacoma Convention Center and its 20th Anniversary celebration, visit tacomaconventioncenter.org.

  • Join City Council Member's Dialogue on Homelessness

    City Council member Sarah Rumbaugh is inviting you to an in-person community dialogue on “homelessness in Downtown Tacoma.”

    She is inviting all people who live, work, and play in Downtown to be involved in this discussion to collaborate on how we all can contribute to solving the complex issue.

    There will be refreshments and children’s activities for attendees.

    Join the conversation Wednesday December 4th, 6:00-7:30pm at UW Tacoma Campus, Milgard Hall, Room 110. (1950 S C St)

    Community is encouraged to register in advance and let them know if you need specific accommodations. Tacoma City Council strives to host inclusive, accessible events that enable all individuals, including individuals with disabilities, to engage fully. If you have questions about this event, please contact Lynda Foster at lynda.foster@cityoftacoma.org.

  • Tacoma's Section 8 Waitlist is Now Open!

    Tacoma Housing Authority’s waitlist(s) for housing assistance are now open. They are currently offering two lists for housing help. One list is for a unit in their affordable properties, the other is for a voucher to help pay rent in Tacoma.

    Their website gives access to a portal which adds the household to apply for either list and make any necessary updates.

    You can apply online or if you need in-person assistance, it is available at one of the Tacoma Housing Authority locations or a Tacoma Public Library location on Nov 15th.

    For information about the waitlists, your status and more visit the FAQ’s listed on their website.

Need recommendations for how to spend your weekend?
Our online community calendar has you covered!

ART BUS and Weekly Volcano Stickers available now at https://weekly-volcano.com/store

Opportunities

  • Last Call for Submissions to the Ground to Sound Film & Art Festival

    This is the last chance for filmmakers and artists to submit their works to the Ground to Sound Film & Art Festival. This is a collaborative initiative by the City of Tacoma Environmental Services and Foster’s Creative, is back for its second year, and time is running out to submit your creative works! This is the final reminder for filmmakers, artists, and environmental advocates to showcase their talent and passion for a sustainable future.

    Submissions Deadline: December 1, 2024

    This year’s theme, “Healthy Sound. Better Tacoma. Now and Forever,” emphasizes the importance of protecting our local environment, with a particular focus on reducing stormwater pollution to safeguard Tacoma's waterways and communities. The City of Tacoma Environmental Services and Foster’s Creative are calling on creatives and community members to inspire change through their art, celebrating efforts that keep Tacoma’s waterways clean, safe, and thriving.

    Submission Categories Include: Elementary (K - 5/6th Grade); Junior High/Middle School (6/7th - 8/9th Grade); High School (9/10th - 12th Grade); Adult (18+, not graduated or no longer attending high school)

    Prizes:

    First Place $750 - Runner Up $500 - 3rd Place $250 - 4th Place $200 - 5th Place $100

    Top entries in each category will win cash prizes, an award certificate, a G2S tee, and VIP bag. With first-place films from each category being screened at the film festival on March 14th, 2025. Additionally, there will be a “People’s Choice Award” offering a $500 cash prize.

    The festival will culminate in a live screening event at the Foss Waterway Seaport on March 14, 2025, where winners will be celebrated. The event promises exciting pop-ups, local artists, and community partnerships, making it a memorable celebration of art, community, and environmental stewardship.

    How to Submit:
    All films must be submitted by December 1, 2024. For detailed submission guidelines, judging criteria, and additional information, visit the official festival website:
    www.groundtosoundfilmandartfest.com/submission-requirements

  • Volunteer to Join the 2025 Point-In-Time Count

    Every day in Pierce County, thousands of people sleep in cars, shelters or on the streets. Do you ever wonder how they lost everything and became homeless? We answer this question and more every year with the Homeless Point-In-Time (PIT) Count.

    Pierce County Human Services is recruiting volunteers and donations to support the 2025 PIT Count. The PIT Count helps us understand why people experience homelessness, capture the characteristics and situations of people living in our community without a home and plan for services and programs to support residents in unstable housing.

    Volunteers can help by attending events during the PIT Count or through surveying people experiencing homelessness from Jan. 30-31, 2025. Volunteers must be over 18 years old, have access to a smart phone and commit to attend a training.

    Learn more and sign up to volunteer by visiting www.PierceCountyWA.gov/PIT.

Film & TV Reviews

As with all British filmmakers, at one point or another they will make a film about the Second World War. This time around it is from Academy Award winner Steve McQueen who has put his focus on The Blitz, where Nazi Germany performed mass nighttime bombing in industrial centers in England, including London. With an immersive and epic topic and a talented cast and crew, you would expect Blitz to knock the Nazis out of the park. But sadly, Blitz does no such thing as it is a woefully undercooked mess.

Before I bog down the room, let me explain where Blitz goes right. There is no denying the prowess of the technical craft that went into Blitz. From beginning to end we are immersed into the chaotic world of the London Blitz. From the impeccable sound design to the dazzling cinematography, you feel the brutality of the Blitzkrieg with every single bomb. When the film just focused on our characters just trying to survive the brutal bombing was when the film was at its strongest. But sadly when the film shifted away from its survival horror, it completely collapsed.

The terms to best describe the narrative of Blitz would be unfocused and undercooked. In Blitz we follow George (Elliott Heffernan) traverses through London during the Blitz to get back to his mother, Rita (Saoirse Ronan) who sent him away to be evacuated for his safety. On paper, this is a straight forward story, but in execution it is a convoluted mess. The narrative is fractured into two parts, one following George and the other following Rita. Each of these narratives feel lost. It thematically knows what it wants to tell, but it doesn't know how to tell it. So, it resorts to broad, one-noted storytelling to get the job done. Thus creating an underwritten and meandering story.

George's story is definitely the weaker of the two despite having some of the best scenes in the film. We follow George as he tries to get back to his mother in London after he was evacuated. However, instead of the narrative focusing on the struggles of coming of age in a World War, it chooses to focus on racism in Britain. Racism is a topic that McQueen has never shied away from, but in Blitz he handles in the laziest way possible as he tells it to the audience rather than explore it. The film even features a scene feels akin to a Disney film with one character standing up an saying "Racism is bad".

Furthermore, George isn’t a compelling character. He is boiled down to an angry kid whose identity is shaped around his skin color and his mother. He is a static character who doesn't go on any journey as his narrative is structured like a bunch of random side quest rather than facing the cruelty of humanity. It also doesn't help that Elliott Heffernan is a weak lead. I understand that he is a kid and that this is his first project, but he is just an angry block of wood in Blitz.

Rita's story on the other hand is the stronger narrative, primarily due to Saoirse Ronan carrying it on her back, but it feels equally as lost. We follow Rita working in the munition factory and volunteering in local shelters as she tries to find purpose after evacuating her son. Then when she catches the news of her son's disappearance, she desperately searches London to find him. I personally found this to be the more interesting narrative as it highlighted women's war efforts. But sadly it becomes lost as it doesn't know what to do with Ronan's character. She has no agency or life as she is boiled down to the love of her son.

They introduce a potential love interest for her with Harris Dickinson's character, but he ultimately adds to nothing as he disappears entirely from the narrative. Despite Ronan's best efforts she couldn't save this story.In the end, Blitz ultimately feels like two different films. One focusing on the struggles of coming of age during the Second World War and the other highlighting women's wartime efforts. If Blitz would have focused on one of these narratives, or transformed this film into a miniseries, it would have given the much needed space for the narrative to breath. Sadly, McQueen got tunneled vision as he got too ambitious for his own good. He knows how to create a haunting atmosphere, but didn't know how to craft a compelling narrative.

My Rating: C

In Theaters Now

Film Review: Blitz

By: Elizabeth Malloy

When it was announced that Colin Farrell's Penguin was getting his own spinoff from the Matt Reeves The Batman, I was unsure how to feel. With an oversaturation of needless and mediocre spinoffs, I was afraid The Penguin was going to follow the same path. I couldn't be more wrong. The Penguin is a gritty and captivating crime drama as we dive into the criminal underworld of Gotham City.

After the wave of destruction the Riddler caused in The Batman, there is a power vacuum in Gotham City. The city is in ruins and the head of the biggest crime family in Gotham, Carmine Falcone, is dead and many gangs and individuals are making their vie for power. One of these individuals is Oswald "Oz" Cobb (Colin Farrell), a mid-level gangster dubbed The Penguin, who wishes to become King of Gotham City for the everyday folks who have been hurt by the rich and powerful. In order to rise to power, Cobb is willing to play dangerously with some of the most powerful people in Gotham City.

One of these adversaries who is vying for the throne is Sofia Falcone (Cristin Milioti). Newly released from Arkham Asylum, she wishes to become the Don of the Falcone Family after the death of her father and the fact they wrongfully imprisoned her for murder. As a character born into fortune but shaped by pain and suffering, she is much smarter than she appears, making her a worthy adversary for The Penguin. Together, Sofia and Oz play a dangerous game of Snakes and Ladders to gain control of Gotham City, no matter the cost.

First and foremost, The Penguin is not a comic book show, but a gritty mobster crime drama similar to the works of The Sopranos and Goodfellas. This separation from the source material, as well as the separation from The Cape Crusader himself, allows The Penguin to be free from any creative restrictions. In only eight episodes, The Penguin burns through a lot of story as the series is quick on its feet as it balances brutal violence, political melodrama and social commentary on a course of a dime. It never feels overstuffed and contrived as it brings you into the dark and brutal world of Gotham City. It even managed to make the audience care and root for terrible people. The Penguin is fully aware of how terrible the ensemble of characters are, yet they fleshed them out as real characters instead of archetypes and we managed to care about them.

Since his first appearance in 1941, The Penguin has always been a cartoonish satire of the ultrawealthy, until now. The Penguin strips him of his satirical roots, and makes him a deeply complicated and layered character. Within the opening minutes, the series immediately set up Cobb's as an idealistic, sentimental and ambitious man who wishes to be remembered for helping the little people of Gotham. He even takes in Victor (Rhenzy Feliz), a gentle soul who lost his family and home from the Riddler's floods, under his wing as he sees himself in Vic. He is even devoted to taking care of his ailing mother (Deirdre O’Connell). Yet within a single gunshot, an impulsive, ruthless and despicable monster who is driven by his own self-interest emerges. Yet, he has enough charisma and scheming charm to get away with it.

This complicated character is perfectly portrayed by Colin Farrell. He gives this character performance, that makes you forget that is it Farrell buried underneath all that make-up. Then when the series transitions to Sofia Falcone’s story, Cristin Milioti steals the show with her Emmy-worthy performance. Milioti is both externalizing and internalizing the pain and suffering that her character went through as she was a genuinely good person turned into a monster due to the abuse she suffered. Whether it is a monologue or a look in her eyes, she is a truly tragic character that Milioti playsperfectly. While upcomer Rhenzy Felizm makes a star-making performance as Victor. He perfectly encapsulates this kind and gentle soul whose naivete looking for the best in people leads down a rabbit hole where he can’t return. Then Deirdre O’Connell gives a performance that is filled with tragedy, rage and heartbreak as Oz’s demented mother. There is more to her character than meets the eye and when she has to deliver the goods, she fully delivers.

The Penguin stands as a modern masterpiece, proving that comic book adaptations can delve far beyond superheroes and world-saving missions. This genre has the power to explore profound aspects of our humanity in ways that are both insightful and unsettling. Watching a man transform into a monster in his relentless pursuit of the American Dream—at the expense of everyone around him—is as chilling as it is heartbreaking. This is a bold, ambitious story that the comic book genre desperately needs.

My Rating: A

All Episodes Available on MAX

Series Review: The Penguin

By: Elizabeth Malloy

As it should always be stated for musical reviews, I struggle with movie musicals. It is a genre that I have always struggled with as anytime a musical number breaks out, I find myself rolling my eyes. So please keep this in mind with this review. Surprisingly enough, I found myself enjoying Joshua Oppenheimer's The End at TIFF. I found it to be a fun campy ride. However, the moment I start to process what I watch, the less I like it. It might be a fun ride while watching The End, but it starts to crumble the moment you begin to think about it.

Inspired by billionaires currently building sprawling bunkers meant to survive the apocalypse, like Mark Zuckerberg, The End is a character study musical/drama about a billionaire family that might have caused the end of the world. Do they reflect on their actions? Do they grieve or regret? Or do they simply, don't care? These questions are at the heart of The End. Y et, these questions are never really answered.

We meet Mother (Tilda Swinton), Father (Michael Shannon) and Son (George MacKay) in their bunker with their servants. Within minutes, the trio and company break out into song about how happy they are living in their isolated bunker. We follow their daily routine from swimming, communal breakfast, rearranging Hudson River School paintings, and safety drills. It is a mundane life filled with disillusion that they are truly happy. Father becomes obsessed with correcting his stained image with his heavily edited memoir. While Mother is haunted by nightmares as she regrets leaving her family behind. While their Son, doesn't know anything of the outside world as he was born in the bunker, lives a naïve and sheltered life.

However, their lives are turned upside down when Girl (Moses Ingram) shows up on their doorstep. Immediately they wish to kill her as she is an outsider, but eventually they welcome her to the family. During this transition, the family is forced to face the reality of their actions. She is a survivor of a world they burned. She is the personification of their unconscious guilt, you think there would be some conflict? Sadly, there isn't, as The End feels afraid of its own themes.

During the Q&A with Oppenheimer after the screening of the film, I found myself baffled by what he was talking about. He talked extensively about how this film is about forgiveness, accepting the consequences of one's actions, and a warning to humanity if we keep going down the path we are on. This conversation led to the end for The End. These themes were never really explored in the film as it was more focused on bland and unmemorable musical numbers than thematic exploration. I respect the ambition of making this a movie musical, but the more he talked about the film, the more cringy and pretentious it became.

Despite this growing resentment, I commend the ensemble as they fully embraced the campiness of The End. Their vocal performances are by no means perfect, but they more than make it up for it with their acting performances. With Tilda Swinton, Michael Shannon, George MacKay and Moses Ingram leading this cast, they undoubtedly gave good performances.

Overall, despite initially enjoying The End, I find myself growing less fond of it by the minute. It is undoubtedly ambitious, to which I must give it credit. But it is that pretentious ambition that led to this film's downfall. I do see its potential on Broadway though.

My Rating: C

Coming to Theaters December 6th

Film Review: The End

By: Elizabeth Malloy

As a cat owner and animal lover, Gints Zilbalodis' Flow had me gripping my seat. For 90 minutes, I was on edge, clenching my hands in suspense as I anxiously followed the plight of these furry companions struggling to survive an apocalyptic flood. Yet, amid the tension, there unfolds a beautifully told story of solidarity and resilience—all without a single word of dialogue.

Premiering in the UnCertain Regard category at the Cannes Film Festival—a space reserved for films that dare to stretch the language of cinema—Flow certainly lives up to this spirit of innovation. As a modern silent film, it offers a refreshing departure from traditional narratives, shedding dialogue altogether in favor of pure visual and emotional storytelling. Instead of spoken words, Flow uses the expressive vocalizations and nuanced body language of its animal characters to reveal their emotional landscapes. This approach gives the film a unique intimacy, allowing audiences to feel a raw connection with each character's inner world, conveyed solely through subtle, instinctive gestures.

Visually, Flow is an awe-inspiring feat, with every frame composed to draw the viewer deeply into its hauntingly mysterious world. The cinematography embraces long, unbroken takes that capture the vastness and desolation of the post-apocalyptic environment, enhancing the sense of scale and immersion.

These extended shots serve as windows into the journey, pulling the audience into each moment of suspense, fear, and quiet resilience as the animals confront the surreal, flooded landscape. Some viewers may see the animation style as somewhat nostalgic, yet this quality only adds to the film's charm. I found the animation to be breathtakingly beautiful, blending expressive character design with striking environmental realism. The animals are rendered with a mix of cartoonish exaggeration and finely tuned detail, allowing them to convey complex emotions while maintaining a sense of authenticity.

The gray cat, with its wide, amber eyes, displays a skittishness and determination that feels palpable, while the golden retriever, llama, capybara, and heron each express distinct personalities through their movement and interactions. The world around them, however, is animated with a dreamlike realism, shimmering with light and color, evoking both beauty and danger in this flooded, desolate terrain.

The environments play a vital role in Flow's storytelling, with each setting capturing a different facet of survival, loss, and hope. The water is rendered in beautiful detail, from its eerie stillness to its violent surges, becoming almost a character in its own right. This world-building, paired with the film's remarkable use of color and light, creates an atmosphere that feels at once familiar and otherworldly.

We follow a lean, gray feline with amber eyes as it faces a biblical flood. Its home, adorned with cat sculptures, is swallowed by rising waters, forcing it to navigate unfamiliar landscapes and strangers. Though resilient and clever, the cat is naturally skittish, cautious of others, and wary of the unknown. But in this harsh new world, it learns to adapt and find common ground with unlikely allies. Along the journey, it joins forces with a golden retriever, a llama, a capybara, and a heron, each seeking refuge in a small boat as they drift through the remnants of civilization. Together, they form a bond of solidarity, embodying companionship and survival in the face of disaster.

The true strength of Flow lies in its quiet subtlety. Through minimalist filmmaking, the film invites viewers into a profound connection with its animal characters, weaving a rich narrative without a single line of dialogue or heavy-handed emotional scenes. Instead, it relies on the raw expressions, body language, and interactions of the animals to communicate a story that is both intimate and universal.At its heart, Flow is about friendship, resilience, and the delicate balance between independence and the need for companionship. It takes us through a journey where survival depends not only on personal strength but on the courage to trust others in the face of adversity. This theme unfolds as the animals, each with their distinct personalities and instincts, slowly learn to lean on one another, forming bonds that are as heartwarming as they are vital. The simple act of watching a lone cat find common ground with creatures so different from itself becomes a deeply moving experience, a reminder of how adversity can unite us in unexpected ways.

Throughout its 85-minute runtime, Flow captivates with stunning visuals and expressive animation. The film takes full advantage of long, lingering shots and carefully crafted scenes that draw us into its apocalyptic landscape. The use of animation here isn’t flashy or overdone; instead, it captures a world that feels both grounded and dreamlike, each frame thoughtfully composed to highlight the emotions of its characters. The animals’ expressions and movements, animated with both realism and a touch of whimsy, make their journey feel immediate and relatable, even as they navigate a flooded, desolate world.

Flow is a powerful example of visual storytelling, showcasing the depth and emotional impact that animation can achieve. It is rare to find a film that speaks so profoundly with so few words, and it is a testament to the artistry of Gints Zilbalodis that this quiet, reflective journey leaves such a lasting impression. Whether you laugh, cry, or simply feel deeply moved, Flow is a cinematic experience that resonates on many levels, and I cannot recommend it enough.

My Rating: A

Coming to Theaters December 6th

Film Review: Flow

By: Elizabeth Malloy

Screenshots

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