Happy Friday Newsletter
November 29th 2024
Arts & Entertainment
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Art Installations Appear in McKinley Hill Neighborhood
The McKinley Hill neighborhood in Tacoma is unveiling a series of temporary public art pieces as part of an ongoing creative placemaking initiative. The latest installation, “Welcome to McKinley Hill,” designed by local artist Liz Morrow, joins previous works like Katrina Van Strein’s “Zine Library” outside Lux Coffee. These artworks are funded by a $100,000 National Endowment for the Arts (NEA) grant, which supports the McKinley Neighborhood Plan aimed at celebrating the area’s culture and heritage through artistic expression.
The McKinley Hill Neighborhood Plan was developed through extensive community engagement, including over 1,500 interactions with residents. In addition to temporary installations, the initiative will bring permanent artworks to the area, such as a decorative fence by Morrow and public seating by artists from the Puyallup Tribe, slated for installation at the McKinley Overlook in 2025. Future projects include a mural by Rick Bisol at McKinley Elementary and banners by Delaney Saul in the McKinley Business District next spring.
This initiative reflects the city’s commitment to creative placemaking and aims to enrich the community with public art that reflects Tacoma’s unique identity. More details on the project are available through the City of Tacoma’s website.
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Tacoma Creates Continues to Boost Access to Arts and Culture for Schools and Community
Tacoma Creates, Washington state's pioneering cultural access program, recently completed its fourth funding cycle, awarding $5.8 million to 65 organizations dedicated to advancing arts, culture, heritage, and science in Tacoma during the 2023-2024 period.
Approximately one third of the programs supported were youth education programs, including programs offered in partnership with Tacoma Public Schools. In addition to classes and workshops at Tacoma Public Schools’ campuses, Tacoma Creates supported bus transportation for 245 field trips for Tacoma Public Schools’ students, broadening horizons and supporting experiential learning in arts, culture, heritage, and science. Tacoma Creates also partnered with the Tacoma Public Library and supported over 100 programs at branch locations across the city.
Nearly 80 percent of the programs and events produced with Tacoma Creates funding support were offered free of charge to the community, and there were over 300,000 attendees at free, in-person cultural events. In addition to programming that brings people to cultural facilities downtown, over 65 percent of organizations’ funds were allocated towards producing programs and events in neighborhoods across the city. An interactive map is available on the Program Locations page of the Tacoma Creates website.
Tacoma Creates funding helps cultural organizations build long-term sustainability and broaden access to their programs. Throughout the 2023-2024 program year, organizations utilized funding to invest in staffing, forge collaborations both within and outside the cultural sector, and strengthen their infrastructure. These investments help organizations expand their impact and foster more inclusive and equitable environments. Importantly, Tacoma Creates has enabled many organizations to increase paid work opportunities for artists and other cultural workers, who are vital contributors to the local creative economy.
A copy of the Tacoma Creates’ full 2023-2024 Annual Report, including a Spanish version, is available along with other details at tacomacreates.org.
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Voices of Tacoma: A Gathering of Poets Upcoming Events
Voices of Tacoma: A Gathering of Poets is the work of eighty poets, with another ten arts professionals serving as Editorial Review Board members, Editors, Advisors, and - of course - Mauricio Robalino, Artist and Illustrator.
The creative energy that this project was built around will continue. The next scheduled Gathering of Poets events: December 4, January 15, and February 4. These Gatherings will be held from 6pm to 7:30pm at Swasey Library, 7001 Sixth Avenue. These Gatherings are an opportunity to connect, read, and/or just listen to others. The intention of these events is to help create long-term coalitions of like-minded folk in our community. As are all of our events, these are free and open to everyone!
There are also a couple of upcoming opportunities to get a signed copy (or copies) of the book and meet Burl and Mauricio. They will be at Tacoma Arts at the Armory on December 7 and 8.
Upcoming Events
Bring a poem to read, or just come listen to the #VoicesOfTacoma, at A Gathering of Poets.
6pm-7:30pm at Swasey Library:
• Wednesday, December 4th
• Wednesday, January 15th
• Tuesday, February 4th
Saturday and Sunday, December 7th and 8th, join us at Tacoma Arts at the Armory • 11am-5pm
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Spanaway Lake's Fantasy Lights Show Off Bates Student's Skills
For nearly 30 years, Bates Technical College Welding students have crafted over 130 festive displays for Spanaway Park’s Fantasy Lights. This year, they’re unveiling a giant 30-foot ferry to honor a key mode of Pacific Northwest transportation. The ferry, built in just one week from three sections, will be part of this year’s enchanting route. This project is a collaboration between Bates and Pierce County Parks, providing students with hands-on experience in welding and design.
Instructor Eric Johnson highlights the real-world learning opportunity, while Dr. Lin Zhou, President of Bates, underscores the importance of this long-standing partnership. Past displays have included creative themes like a Kraken, Sasquatch, and a pirate ship. This holiday season, visitors can enjoy the students' work, which continues to add magic to the annual Fantasy Lights display.
Fantasy Lights is open daily 5:30 - 9:00pm | November 29th - January 5th.
Neighborhood News
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Tacoma Planning Commission Meeting December 4th Discussing Neighborhood Plans for South Tacoma
At the upcoming Tacoma Planning Commission meeting, they will be discussing the Neighborhood Planning Program (NPP) work on the South Tacoma Neighborhood Plan. The Neighborhood Planning Program (NPP) in Tacoma is an award-winning initiative aimed at fostering strong, vibrant, and diverse communities. It offers planning and development support to neighborhoods in order to help them create a vision for their future and implement strategies to achieve it.
Purpose
The NPP is working with the South Tacoma neighborhood over the next 18 months to support its identity, vitality, and future growth. This process will result in the South Tacoma Neighborhood Plan, a guiding document that outlines community-driven projects and actions to enhance the neighborhood. The plan will be developed in collaboration with residents, businesses, and organizations in the area.
Process
In 2024, the City Council selected South Tacoma for the third Neighborhood Plan. The development of the plan will involve input from community members through surveys, meetings, and events, all guided by a Steering Group made up of local residents. The plan will continue to evolve in 2025 and beyond as the community works on implementation.
Project Focus Area
The plan will concentrate on the core commercial areas, including the South Tacoma Business District and nearby Mixed-Use Center (near S Tacoma Way, S Washington St, and S Puget Sound Ave, between S 47th St and S 58th St). Efforts will also involve engaging residents from surrounding neighborhoods to improve access to key amenities and destinations.
The Tacoma Neighborhood Planning Commission meeting will be hybrid allowing you to attend in person at Council Chambers, 1st floor of the Tacoma Municipal Building, at 747 Market Street or on Zoom at https://www.zoom.us/j/84416624153.
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Firefighters Voicing Opinions Over Struggling Tacoma City Budget
The City of Tacoma faces a projected $24 million deficit for its 2025-26 budget, prompting proposals to cut costs, including eliminating 16 "rover" firefighter positions. These rovers, implemented last year, help address employee leave by filling in at different stations, reducing mandatory overtime and helping maintain staffing levels. Eliminating these positions would save $4.2 million, but critics, including the firefighters' union, argue it would lead to more overtime, station closures, and a decrease in service quality.
Firefighters are already concerned about chronic underfunding, outdated equipment, and insufficient personnel. The Tacoma Fire Department is short on resources, and while the proposed budget includes a rise in funding, there are disagreements over how the money is allocated. For instance, $3 million is designated for the HOPE program, aimed at handling behavioral health crises, but union members argue it is underperforming and diverting resources from critical fire services.
Firefighters have voiced frustration over years of unmet needs, and some are even considering leaving the city's jurisdiction to form an independent fire district. Union leaders emphasize the urgent need for steady funding to address staffing, equipment, and facility issues to ensure the safety of both the public and the department’s personnel.
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A Note from Deputy Mayor John Hines About Home in Tacoma Phase 2
After more than three years of work, the City Council passed the Home in Tacoma Phase 2 ordinance at their November 19 Council Meeting. John Hines has been working on Home in Tacoma with his colleagues since joining the City Council in 2020. This milestone reflects their collective effort to address Tacoma’s housing needs while preserving the elements that make Tacoma special, including the unique character of our neighborhoods and our vital tree canopy.
This initiative is about more than zoning changes--it’s about making Tacoma a more inclusive city. As the population grows, it’s preparing to welcome more families, young professionals, and seniors by creating a range of housing options. Whether duplexes, triplexes, or accessory dwelling units, Tacoma and the council have focused on providing choices that meet the diverse needs of the community. Hines and the council are also committed to ensuring that infrastructure improvements, such as roads and public transit, keep pace with this growth.
Hines recalls that in many of his conversations with residents, “housing costs and homelessness come up again and again.” Home in Tacoma is a huge step toward trying to address both these concerns. While the changes will not take effect overnight, we should see more places for people to live over time.
Moving forward, additional discussions about impact fees, traffic safety through Vision Zero, and a dedicated focus on tree protection will take center stage. Change will happen gradually, but we are all eager to see how Tacoma evolves to meet the needs of all its residents.
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Three Hearts Opens in Hilltop District
Another hot dining spot opened up in Hilltop and it provides a coffee shop inspired relaxed atmosphere with scratch-made pastries, sourdough loaves and desserts as well as nostalgic brunch and lunch favorites.
This is the brainchild of two couples Jeff and Maggie Hellis, who serve as the pastry chef and marketing manager respectively and their friends Will Eder, the coffee, bread and beverage guy and his wife Jenah Garrett. All together they make Three Hearts a space that is easy to fall in love with.
Whether you are looking to dine on a sweet or savory Dutch Baby, a delicious sandwich like the chimichurri steak, this group is making a community through their food.
The group also decided to hire executive chef Jordan Mason, all three men alumni of Wooden City. Both Hellis and Eder wanted to continue to share Mason with the world, make people happy and let their food build a positive community.
Check out their menu and get more information at https://www.threeheartstacoma.com/
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Support Pierce County Families by Donating to Santa Cops
This holiday season, consider supporting Pierce County families in need by donating toys and food to Pierce County Santa Cops. You can drop off new, unwrapped toys and non-perishable food at the South Hill precinct through Dec. 13. For online shopping, scan the QR code (screenshots) or visit the Amazon Wishlist link.
Deputies will volunteer to deliver the donations to nominated families in time for Christmas. Pierce County Santa Cops, a volunteer-run non-profit organization, is dedicated to helping families by providing food, gifts, and clothing during the holidays. Thank you for supporting this cause.
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Polluted Pilings Pulled Over the Next Few Weeks
Crews have started removing polluted pilings from the former Dickman Mill site on Tacoma's waterfront, as part of a larger environmental cleanup initiative. The site, one of "The Filthy Four" designated by the state Department of Natural Resources (DNR), is being cleaned up with $3.5 million in funding approved by the Washington state legislature in 2023. The pilings, once used to support structures like sawmills and piers, are contaminated with creosote, a toxic wood preservative now banned for aquatic use.
The project, which began last week, involves using cranes to pull the pilings from the water and load them onto barges. The Dickman Mill site, which operated from the 1890s until 1979, was heavily industrialized and has been a source of pollution, with sawdust and wood waste harming aquatic life. The funding, part of a broader $10.8 million legislative package, allows DNR to expand its cleanup efforts beyond Puget Sound to include other polluted sites like those in Seattle and the lower Columbia River.
The effort is also targeting other environmental hazards like tire reefs, derelict boats, and abandoned docks.
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Hunt's Continues its Hunt's Helping Hands Program
Hunt's Services, Tacoma’s trusted leader in heating, cooling, HVAC, plumbing, and electrical solutions, is thrilled to announce the continuation of its impactful Hunt's Helping Hands program. This initiative is dedicated to giving back to residents of Pierce, King, and Thurston counties by providing essential heating and cooling services at no cost to families in need.
At Hunt’s Services, our HVAC services include both traditional and environmentally friendly heating and cooling solutions. We install and repair heat pumps, ducted or ductless, clean air ducts, replace and sell air filters, improve home air quality, install mini-splits as well as repair and replace furnaces.
Hunt's Services began its journey in 2012 as a small local business with a clear mission: to deliver high-quality repairs and installations at affordable prices. Over the years, under the leadership of founder Jason Hunt, the company has grown into a multi-trade powerhouse, serving communities throughout the Puget Sound region. Now, with a team of fully licensed and certified technicians, Hunt’s Services is known for its exceptional workmanship and customer care.
Giving back has always been at the heart of Hunt's Services. From supporting local charities to community-focused projects, Hunt's has consistently prioritized its role as a neighbor who cares. In 2021, the team sought to deepen their impact by launching the Hunt's Helping Hands initiative — a program aimed at ensuring that every family has access to a safe and comfortable home, regardless of financial hardship.
Stories of Hope: Real Impact in the Community
Hunt’s Helping Hands initiative has already made a profound difference. For example, in February 2022, Hunt’s technician Glen Ashford encountered a Tacoma resident, Ted Tennison, whose furnace had stopped working. Struggling with financial challenges worsened by the pandemic, Mr. Tennison couldn’t afford a furnace replacement. Recognizing the urgency of the situation, the Hunt’s team, in partnership with Gensco, Inc., stepped in to provide a brand-new American Standard furnace at no cost.
Since its inception, Hunt's Helping Hands has partnered with local manufacturers and suppliers to deliver over $50,000 worth of heating and cooling systems to families in need. Each year, Hunt’s Services selects a deserving family to receive a new HVAC system, ensuring they experience the comfort and peace of mind they deserve.
How the Community Can Get Involved
The success of Hunt's Helping Hands relies on the community. Residents are encouraged to nominate families who could benefit from a free heating or cooling system. Nominations can be submitted through Hunt’s Services’ website at www.huntsservices.com/hunts-helping-hands, detailing why the family deserves this support.
Looking Ahead
As Hunt’s Services prepares for another year of Hunt's Helping Hands, the team is eager to expand its reach and impact more lives. By working together with the community, local manufacturers, and partners like Johnstone Coleman and Bosch, Hunt’s is helping to build a stronger, more compassionate Puget Sound.
Need recommendations for how to spend your weekend?
Our online community calendar has you covered!
Opportunities
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Auditions for Tacoma Little Theater's Lorca in a Green Dress
Tacoma Little Theatre and The University of Washington-Tacoma are holding auditions for their joint production of Lorca in a Green Dress! This production will be directed by Maria-Tania Bandes B. Weingarden, and choreographed by Marisela Fleites-Lear.
Auditions will be held Tuesday, December 3rd at The University of Washington Tacoma. Auditions on Sunday, December 8th and Monday, December 9th will be held at Tacoma Little Theatre (210 N I Street, Tacoma WA 98403), and Tuesday, December 10th at the Star Center (3873 S 66th St, Tacoma, WA 98409). Audition appointments will be set starting at 6:00pm on Sunday and 7:00pm on Monday and Tuesday. Callbacks will be held on Wednesday, December 11th at Tacoma Little Theatre. All actors must schedule their appointment using Casting Manager at the link below.
Lorca in a Green Dress pays homage to Federico García Lorca, writer of Gypsy Ballads, Mariana Pineda, and Play Without a Title. Lorca was killed by fascist forces on August 19, 1936 in the opening days of the Spanish Civil War. Upon his death, the great Spanish poet arrives in the “Lorca Room” in purgatory where he learns he will be quarantined for the next 40 days. With dramatic and sensual flamenco flair, Lorca in a Green Dress is a spellbinding exploration of the life and death of Lorca. Five different actors portray aspects of the poet’s personality in a surrealistic landscape that questions what it means to die, to live, to create and to love.
Anyone and Everyone is invited to audition for any production at Tacoma Little Theatre regardless of any physical attribute, gender, race, age, ability, body type, ethnicity, expressions, or experience. All roles for this production are available to all.
Please note the show contains LGBTQ+ content, descriptions of violence, some simulated violence, limited physical intimacy (prolonged eye contact, some physical touch).
Auditioners are asked to prepare a one-minute dramatic monologue and one of the Federico Garcia Lorca poems included in the audition posting.
All actors cast receive a travel reimbursement up to $150.00.
To reserve an audition time, follow this link (http://castingmanager.com/audition/info/ZsVowctesmkH7kW) or call the Box Office for assistance at (253) 272-2281.
Once cast, Lorca in a Green Dress will begin rehearsals in January of 2025. The production will run from Friday, March 7th, 2025, to Sunday, March 23rd, 2025 for a total of 10 performances. -
Be a Beacon of Light at Tacoma's Beacon Youth Homeless Shelter
Dana Hill, a philanthropist affectionately known as "Mama Doll", founder of The Black Doll Affair (TBDA), is rallying members of the Tacoma community to support young people experiencing homelessness at Tacoma’s Beacon Youth Shelter.
Through a new initiative called Beacons of Light, Hill invites community members to use their unique skills, resources, and time to uplift young people aged 18-24 as they navigate life’s challenges and work toward stability.
Though these kids have some complex challenges, most of their needs are very basic. While one need may be a pregnant woman having no idea what to expect, more often needs are things like transit passes, help with resume writing, or someone to mentor a youth. The kids have escaped, run away or have been placed in the shelter for various unfortunate circumstances, but you are being invited to be their Beacons of Light.
Hill's Beacons of Light initiative encourages community members to step in and provide practical support, resources and mentorship. Her goal is to bring hope and tangible assistance to these young adults during a critical time in their lives.
Ways to Become a Beacon of Light:
Hill emphasizes that everyone can contribute in their own way. Examples of support include: Barbershop Owners: Offer free haircuts to boost confidence. Daycare Providers: Mentor soon-to-be young mothers. Transportation Services: Provide rides to job interviews, classes, or medical appointments. Career Coaches: Assist with resume writing and interview preparation. Financial Advisors: Teach budgeting and financial literacy. Health Professionals: Volunteer for check-ups or mental health support. Small Business Owners: Provide part-time employment or job training. Restaurant Owners: Host meals to teach dining etiquette. Apprenticeship/Internship Hosts: Offer skill-building opportunities.Jessica Johnston, a fellow Tacoma community organizer, Ambassadoll of The Black Doll Affair, and friend, was one of the first to join the initiative by providing the fifty youth living at the Beacon Center with complimentary ORCA transit passes. Additionally, she has taken meaningful steps to send out an announcement about the program to her sizable network and she's promising more resources and mentorship to youth at the shelter.
Hill describes this program as another step in building her legacy of philanthropy, inspired by two of her favorite quotes. “If not you, then who? If not now, when?” by Hillel the Elder and John Wesley’s call to action: “Do all the good you can, by all the means you can, in all the ways you can, in all the places you can, at all the times you can, to all the people you can, as long as you ever can.”
Tacoma businesses and private individuals have already begun answering the call, offering free food, haircuts, and clothing to those in need. To join Dana Hill in making a difference and becoming a Beacon of Light, email hillgirlinc@gmail.com.
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You Can Make An Impact By Donating to the Museum Of Glass
Make a tax-deductible gift between now and December 31, 2024
Museum of Glass will be busy in the coming year as we act on our ambitious goal to improve our facility, most notably with the addition of a permanent Lino Tagliapietra Legacy Gallery featuring statement pieces from the maestro’s personal archive. In addition to this major project, the Museum continues to support artists, expand educational initiatives, and provide a dynamic experience for all visitors.
Donating today means:Increasing visitor accessibility to innovative Museum programs
Broadening youth field trip and hands-on capabilities
Expanding our Visiting Artist Program and uplifting new and emerging artists
Maximizing imaginative exhibition experiences
Your investment in the Museum enriches all facets of our core programming as well as our larger community. Your gifts position us for success in our major building endeavor.
Put simply, you are making an extraordinary impact! Thank you for making a tax-deductible contribution to the future of Museum of Glass.
Museum of Glass is a registered 501(c)3 charitable organization. Gifts are tax-deductible, as permitted by law. Tax ID#91-1669422 -
Art Grant Program Applications Open Next Week
Pierce County is opening applications for its 2025 Art Grant Program beginning Dec. 2.
The county said in a release that it's looking for applications from nonprofit organizations in unincorporated Pierce County that offer arts education and programming or experiences dedicated to lower-income youth or those in underserved areas of Tacoma city limits.
Those eligible must have their programs and projects take place between Jan. 1-Dec. 31.
In 2023, the Pierce County Arts Commission awarded nearly $27,000 in grants with funding for seven projects, the release noted.
Grants will range from $500 to $5,000. Applications must be received by Jan. 21.
A virtual workshop will be held at 3 p.m. on Dec. 10 to help prospective applicants with the application process, the release noted.
Recreation
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ZooLights Opens Friday!
The Point Defiance Zoo & Aquarium's annual Zoolights event is returning from Nov. 29 to Jan. 5 (closed on Christmas Eve and Christmas Day). This year’s event will feature over 30 colorful light displays, including new designs and classic favorites like a giant octopus and a tiger face. The zoo's cafe will offer seasonal treats such as hot cocoa floats and fried apple fries. While zoo animals won’t be on display, visitors can enjoy a special Groovy Goats experience, where they can interact with goats dressed in holiday sweaters for an additional fee.
Ticket Information: Tickets are online only and required for everyone aged 3 and older.
Between Nov. 29th and Dec. 15, prices are $14 (Mon-Thurs) or $20 (Fri-Sun), with member prices at $7 and $10, respectively.
Starting Dec. 16, ticket prices will rise to $20 for general admission and $10 for members.
Flex tickets ($26) allow entry on any date.
BECU members can save $2 by purchasing tickets via the BECU website.
The Groovy Goats experience offers a 30-minute private session with the goats for $30 (members) or $50 (non-members), with tickets including Zoolights admission. All participants, including children under 2, must have a ticket. ZooLights runs through January 5th.
Film & TV Reviews
I always wonder what drives people to live in the most inhospitable regions of the planet. Are they getting away from something or someone? Are they seeking a better life for themselves or do they wish to end their life? Who knows? But what is known is that several individuals decided to uproot their lives and move to a remote Galapagos Island of Floreana during the 1930s in this wild true story.
We follow the Wittmer family (Daniel Brühl and Sydney Sweeney) as they move to Floreana to follow the philosophy of Dr. Friedrich Ritter (Jude Law) and his partner, Dora Straugh (Vanessa Kirby), as well as create a better life for their son, Henry, who has tuberculosis. At first Ritter and Straugh were not thrilled about new neighbors, but soon they developed mutual respect as they tried to survive on the desolate island. However, their peaceful, mutual respect is turned upside down when Eloise Bosquet de Wagner Wehrhorn (Ana de Armas) otherwise known as the Baroness and her three male companions show up. Turning their small communal living into a game of the survival of the fittest.
From the very first moments, Ron Howard plunges viewers into the harsh and unrelenting reality of Floreana, wasting no time in dismantling any illusion of tropical serenity. While the island’s lush appearance might suggest a paradise, it is, in fact, anything but. Howard, in collaboration with cinematographer Mathias Herdl, employs shadowy, stark cinematography to vividly depict the island’s barren, hostile conditions. The bleak visuals set the stage for a narrative steeped in tension and conflict, where survival becomes a grueling test of endurance and will.
The oppressive environment is further exacerbated by the arrival of the Baroness, whose manipulative and self-centered actions create a powder keg of hostility among the settlers. As resources dwindle and suspicions rise, the island transforms into a crucible of human desperation. Egos clash, alliances shift, and trust dissolves as the inhabitants resort to scheming, theft, and deceit in their bid to outlast one another.
As the days stretch into weeks, the settlers begin to unravel, succumbing to a psychological strain that can only be described as “island fever. ”What starts as subtle animosity escalates into brutal and irrational behavior, with Floreana devolving into a nightmarish pressure cooker. The once tenuous social order collapses, leading to chaos reminiscent of the brutal dynamics of Lord of the Flies. Under Howard’s direction, the island becomes more than just a setting—it evolves into a character in its own right, an unyielding force that magnifies the settlers' darkest instincts and pushes them to the brink of madness.
This survival narrative is, for the most part, gripping and captivating, pulling viewers into its tense and volatile world. However, the film struggles with an identity crisis, wavering between two distinct tones. At times, it seems to aim for sharp satire in the vein of Triangle of Sadness, while elsewhere it veers into the bleak and harrowing atmosphere of Lord of the Flies. Either approach could have worked on its own, but the combination creates a tonal clash that undermines its deeper ambitions. The result is a commentary on humanity's flaws that feels surface-level rather than incisive.
Howard clearly intended to draw parallels between this isolated community and the rise of fascism in Europe, highlighting how pride, fear, and the pursuit of control inevitably lead to tragedy. However, the film seems hesitant to fully commit to exploring these weighty themes, leaving them underdeveloped. This reluctance holds the story back from achieving its potential as a profound critique of human nature.
Even so, Eden remains a compelling watch. Despite its uneven tone and one-dimensional exploration of its themes, the film's tension, setting, and character dynamics keep it undeniably fascinating. Ana De Armas steals the show as the infamous Baroness. She is frantic, seductive, and vampish as she brings all of the villainous energy you would hope for. If Eden was released this year, she would undoubtedly be in the conversation for the Oscar for Best Supporting Actress. While Jude Law, Daniel Brühl, Vanessa Kirby, Felix Kammerer and Toby Wallace all feel underutilized. They are good with the material they are given, but never shine like Armas. Sydney Sweeney sticks out like a sore thumb with her atrocious German accent. If her accent wasn't so jarring, her performance would have been so much better. But each time she spoke, it took me right out of the film.
Eden stands out as Ron Howard's bleakest and darkest film to date. While it’s far from perfect, its flaws don’t make it any less captivating. Howard ventures well outside his usual creative boundaries, and his ambition deserves recognition. Bold, risk-taking filmmaking like this is always a welcome endeavor, even when it results in something a bit messy.
My Rating: B
Film Review: Eden
By: Elizabeth Malloy
To prepare for Wicked: Part One, I went to my local theater and saw the stage play. It is with great sadness that I wasn't too impressed by Wicked. Outside of the two lead performances and maybe three of the songs, I believed the musical was the definition of fan fiction. Its heart was in the right place, but the stench of fan fiction made me turn away. With this information, I was dreading to watch Wicked: Part One. With the over saturated marketing campaign and the never ending controversies with the cast, I was ready to hate on Wicked: Part One. Then when your theater is filled with Ariana Grande and Wicked stans who are cheering and clapping every five minute with their phones out to record every minute of it, and then they tell you to "Fuck off and to get a life" when you ask them to put their phones away, needless to say I did not enjoy myself while watching Wicked: Part One. It will obviously please fans of the musical, but for everyone else, it is crowd pleasing at best the moment you start to think about it.
I’m willing to defend the decision to split Wicked into two parts. The stage musical itself runs nearly three hours, and once you start adding some cinematic elements to make it flow better on screen, the runtime would easily exceed three and a half hours. Splitting it into two films makes sense. I had hoped this split would address some of the shortcomings of the stage production. The musical’s story often feels scattered, with underdeveloped subplots like the animal conspiracy and Glinda’s abrupt shift from a mean girl to Elphaba’s best friend. The tone also swings wildly, particularly in the latter half of Act One. My hope was that the film adaptation would smooth out these rough edges. Unfortunately, Wicked: Part One doesn’t tackle these issues. Instead, it stretches the 90-minute first act of the musical into a bloated 160-minute.
The film closely follows Act One of the stage production, from the opening number "No One Mourns the Wicked" to "I’m Not That Girl," almost beat for beat, with added scenes and moments intended to help the story flow better in a cinematic medium. The first hour and a half adheres to the pacing of the musical, while the last hour is dominated by the numbers "One Short Day" through "Defying Gravity." Despite largely following the musical’s structure, Wicked: Part One suffers from severe pacing issues, particularly in the first two-thirds. This section drags on far too long, leaving the audience impatiently waiting for the climactic "Defying Gravity.” Surprisingly, this happens even though it mirrors the stage pacing. The final third, though slightly overextended, is better paced, even if it diverges somewhat from the original structure.
Ultimately, the film’s added fluff fails to enhance the story and instead turns Act One into a drawn-out and uneven experience. The musical numbers didn’t impress me much, just like in the stage version. While the vocal performances were undeniably strong, every time the characters broke into song and dance, it pulled me out of the film. Apart from "Defying Gravity" —arguably the only standout number in Wicked—the overall staging of the musical sequences left much to be desired. The choreography often felt silly and jarring, and the camerawork relied on basic tracking shots that lacked creativity or flair. The costume and production design were immaculate, showcasing a lot of effort and attention to detail, but this was undermined by poor lighting and gray color grading that washed out the visual splendor. One exception was "Dancing Through Life," which improved upon the stage version by creatively utilizing its set to enhance the dance numbers.
Unfortunately, the film never escapes a sense of commercial artificiality, making it hard to feel fully immersed in the world of Wicked. As for the acting, the vocal performances were phenomenal, as expected, but strip away the singing, and most of the cast fell flat. Cynthia Erivo was outstanding during her musical numbers, but her acting felt lifeless outside of the club scene where Elphaba dances. The same applies to Ariana Grande as Galinda—her singing was impressive, but her acting came across as overly artificial. Her reliance on exaggerated eye movements due to the extreme amounts of botox she has been taking, gave her an alien-like appearance that made it difficult to connect with her emotionally. Jeff Goldblum was simply Jeff Goldblum as the Wizard of Oz—playing to type without adding much depth. Michelle Yeoh, unfortunately, felt miscast as Madame Morrible, struggling to bring the character to life. The only standout in both acting and singing was Jonathan Bailey, whose charisma and charm as Prince Fiyero truly shone through, making him a highlight of the cast.
Overall, this has been one of the most difficult films for me to evaluate. My experience was clouded by a terrible theater environment and the fact that I was never particularly impressed by the original stage musical. That said, I found the film to be decent, but not much more. Fans of the musical will likely be thrilled, as it stays faithful to the source material and amplifies some of its most iconic moments. For general audiences, however, it’s more of a surface-level crowd-pleaser—enjoyable in the moment but lacking the depth to resonate long after the credits roll.
My Rating: C+
Film Review: Wicked: Part One
By: Elizabeth Malloy
Does Gladiator II live up to its predecessor? No. Is it a soft remake of the original film? Yes. Is it an unnecessary sequel? Yes. Do you feel the void that Russel Crow left? Yes. But was I at the very least entertained with Gladiator II? Yes I was entertained.
Gladiator II is, at the very least, an entertaining historical epic. As one would expect from Ridley Scott, the battle sequences are truly spectacular. From intense, visceral gladiatorial clashes to sprawling, chaotic sea battles, Scott demonstrates once again that he is a master of crafting awe-inspiring action—though the CGI baboons leave something to be desired.
The film does a fantastic job of immersing the audience in the grandeur of the Roman Empire, thanks to its meticulous production and costume design. Every detail, from the intricate armor to the sprawling sets, works to transport you back to ancient Rome. However, the film takes significant liberties with history, presenting a rhinoceros, baboons, and even sharks in the Colosseum, alongside some wildly inaccurate depictions of its emperors. These choices will undoubtedly irritate historians, but Scott’s commitment to recreating the spectacle and atmosphere of the era deserves recognition. While the film is far from historically accurate, it offers an exhilarating visual feast that captivates despite its flaws. It might make scholars cringe, but as a cinematic experience, it’s undeniably entertaining.
The performances in Gladiator II are solid across the board, delivering enough intrigue and intensity to keep the audience invested. Paul Mescal turns in a commendable performance as Lucius, a military commander forced into the brutal life of a gladiatorial slave. He brings a layered complexity to the role, portraying Lucius as both a ruthless fighter and a thoughtful, introspective figure. While Mescal lacks the larger-than-life, star-making presence that Russell Crowe brought to the original over two decades ago, he proves he is a pretty capable lead.
Pedro Pascal, as expected, delivers a strong presence as a Roman commander, but his talents feel underutilized in a role that doesn’t give him much room to shine. On the other hand, Joseph Quinn and Fred Hechinger excel as two deeply flawed emperors. Quinn portrays a paranoid and power-obsessed ruler with a quiet menace, while Hechinger brings a chaotic energy to his portrayal of an emperor spiraling into madness, exacerbated by syphilis—a performance as unsettling as it is memorable.
The standout, however, is Denzel Washington as Macrinus. Stepping into the role of a former slave who rises through cunning and ambition to challenge for the throne, Washington absolutely commands the screen. His magnetic charisma, coupled with a scheming, calculating charm, makes every scene he’s in electric. His performance not only adds gravitas to the film but also elevates the ensemble, reminding audiences why he remains one of Hollywood’s most captivating actors. While the film occasionally struggles to give all its talented cast members the depth they deserve, their collective effort adds significant weight to the spectacle, making it a gripping watch.
When it comes to the story, Gladiator II largely feels like a rehash of the original. The narrative follows a strikingly similar trajectory, with Lucius embarking on a journey that mirrors his father Maximus’s path. Once again, we see a noble military commander reduced to a gladiatorial slave, forced to fight for his survival and freedom while seeking vengeance for his loved ones. While the formula remains entertaining and serviceable, it’s hard not to feel a sense of disappointment at the lack of originality.The film teases glimpses of a much more compelling narrative that could have elevated it beyond being a soft remake. Instead of retracing familiar ground, the sequel had the potential to explore a far richer and more intricate storyline. Imagine a tale centered on the political intrigue of various factions vying for power, all conspiring to overthrow the tyrannical rule of emperors Geta and Caracalla. Such a plot, with its layers of schemes and betrayals, could have given the film greater depth and complexity.
Alternatively, the story could have pivoted to explore the aftermath of Commodus's death, diving into the chaotic power vacuum it left behind. A narrative that focused on Lucilla and Macrinus battling for dominance in the wake of the fallen empire, only for Geta and Caracalla to seize control, would have been a far more captivating direction. This approach could have delved into the rise of tyrannical power itself—how it festers and consolidates in the chaos of transition. With sharper writing, such a storyline could have delivered a bold and thought-provoking commentary on the fragility of power and the cyclical nature of oppression.
Unfortunately, writer David Scarpa plays it safe, opting for a screenplay that largely sticks to the beats of its predecessor without taking significant risks. By leaning heavily on nostalgia rather than crafting a fresh and ambitious narrative, Gladiator II misses an opportunity to become a standout sequel. What we’re left with is a competent but ultimately uninspired retread that leaves viewers wondering what might have been if more creative risks had been taken.
Overall, Gladiator II is a decent addition to Ridley Scott's collection of historical epics. It’s far from perfect and falls short of living up to the monumental legacy of its predecessor, but it manages to stand on its own as a serviceable film. While it doesn’t break new ground, it delivers enough spectacle and drama to keep audiences engaged. The film remains undeniably entertaining, immersing viewers once again in the grandeur of the Roman Empire. With its sweeping visuals, elaborate set designs, and intense action sequences, it captures the epic scale and atmosphere that Scott is known for, even if it doesn’t quite recapture the magic of the original.
My Rating: B-
Film Review: Gladiator II
By: Elizabeth Malloy
Erotic thrillers have largely faded from the cinematic landscape, often viewed as outdated and taboo. The decline is partly attributed to younger audiences gravitating away from overtly sexual content in cinema, coupled with the easy accessibility of explicit material online. However, director Halina Reijn, known for Bodies Bodies Bodies, aims to breathe new life into the genre with her latest film, Babygirl.
Romy (Nicole Kidman) seems to have it all: a high-powered career as a tech CEO, a loving husband (Antonio Banderas), two beautiful daughters, and financial security for life. Yet, beneath her picture-perfect life, something crucial is missing. Her husband has never fulfilled her sexually, and in her frustration, she secretly turns to domination porn—her hidden desire—for gratification. Everything changes when she crosses paths with Samuel (Harris Dickinson), a confident and ambitious intern assigned to her. It doesn't take long for their chemistry to ignite, spiraling them into a toxic, steamy affair that risks everything Romy has built.
However, their affair is far from the typical erotic thriller steeped solely in power dynamics, control, and abuse. Director Halina Reijn deliberately blurs the lines of dominance, crafting a story where power shifts unpredictably between the characters. Unfolding like a neo-noir thriller, the relationship between Romy and Samuel becomes a game of wits, desire, and manipulation, with each character vying for control in their own way.
Samuel defies conventional archetypes; he is neither a smooth-talking seducer nor an inexperienced, naive intern. Instead, he’s a multifaceted character who exudes confidence and charisma in one moment, only to pivot to submission the next. His ability to read and exploit Romy’s desires makes him a compelling counterpart to her tightly wound, control-obsessed personality. Samuel’s calculated provocations challenge Romy, forcing her to grapple with the tension between her overpowering sexual urges and her crumbling moral compass.
This dynamic interplay creates a narrative that is as seductive as it is morally complex. The film weaves these tensions into a deliciously provocative erotic thriller, one that tantalizes audiences while exploring the darker, messier side of human relationships.
Nicole Kidman delivers what may be the most daring and emotionally raw performance of her career as Romy, a character whose layers of ambition, frustration, and forbidden desire make for a deeply compelling portrayal. Kidman fully embraces Romy’s complexities, balancing her commanding presence as a high-powered CEO with the vulnerability of a woman grappling with unmet needs and spiraling temptations. Her nuanced performance captures Romy’s internal struggle, making her both relatable and utterly captivating.
Opposite her, Harris Dickinson shines as Samuel, a character whose charm lies in his ability to seamlessly oscillate between seduction and submission. Dickinson brings an intensity to the role that is equal parts alluring and unsettling, making Samuel a fascinating foil to Romy’s tightly controlled persona. His chemistry with Kidman is electric, creating a dynamic that sizzles with tension and unpredictability.Babygirl signals a bold resurgence of the erotic thriller genre, proving that a film can be sexy and thrilling without relying on gratuitous explicitness. Instead, the movie leans on charged performances, sharp writing, and the unrelenting tension of power dynamics to keep viewers on edge. Director Halina Reijn masterfully crafts a story that is provocative and deeply engaging, redefining what the genre can offer a modern audience.
My Rating: A-
Film Review: Babygirl
By: Elizabeth Malloy
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