Happy Friday Newsletter
December 13th 2024
Arts & Entertainment
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Pacific Gallery Artists Open Meeting
The PACIFIC GALLERY ARTISTS hold open meetings (every 3rd Tuesday of the month, SEPT - JUNE)
The next meeting will be 11 - 1:00 pm, Tuesday DECEMBER 17th at the COUNTRY PLACE CONDOMINIUMS - CLUBHOUSE
7801 53rd Ave. W in Lakewood, WA 98499
They are a friendly group of experienced fine artists who enjoy monthly demonstrations, fellowship, a brief meeting, and a snack. Please join them - and remember, visitors are always welcome!
*This month we will be their yearly Potluck and gift exchange. -
Tacoma Creates Wants To Hear From You!
Tacoma Creates is the first cultural access program of its kind in Washington State: it was passed by voters in 2018 with a 67% approval rating. The 0.1% sales tax that supports this program must be reauthorized every 7 years. The state law now allows for City Councils to authorize or reauthorize a cultural access program, and as Tacoma’s City Council considers reauthorization in early 2025, the City is seeking community input on the role and impact of Tacoma Creates funding.
Tacoma Creates currently funds over 70 local arts, culture, heritage, and science non-profits in our community, supporting programming in schools, libraries, parks, community centers, museums, and performing arts venues throughout the City.
How does this matter to our community Tacoma Creates invites you to please share your voice in this survey!
Do you want to learn more about Tacoma Creates funding? Read their 2023-24 Annual Report!
You can also check out the list of currently Funded Organizations to see how many you know.
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Gig Harbor History Museum Hosting First Holiday Market
The Harbor History Museum is hosting its first-ever Holiday Market on December 14-15, 2024. The market will feature a variety of vendors offering jewelry, fine art, children's books, pottery, home décor, vintage items, garden art, and baked goods. The market will run Saturday from 10 AM to 5 PM and Sunday from 11 AM to 3 PM. In addition to the market, there will be a heritage arts rug braiding demonstration on Saturday and a special "Roadshow Review" event on Sunday, where visitors can have antiques or collectibles appraised. Museum galleries will also be open, with a Santa Boat photo opportunity and a North Pole Express mailbox for kids to send letters to Santa.
Admission to the market is $5 for non-members (children under 5 are free), while Museum Members can attend for free with a membership card. Tickets for the Roadshow Review are available for $10 per item, with a maximum of two items per person. Proceeds will support museum programs and exhibits, including a special 2025 exhibition on Gig Harbor in the 1920s.
The Harbor History Museum, established in 1964, aims to preserve and share the heritage of the greater Gig Harbor area through its various exhibits and collections, including a restored one-room schoolhouse and a 65-foot fishing vessel.
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Lakewood Playhouse Continues 'It's A Wonderful Life: A Live Radio Play"
Lakewood Playhouse’s 86th season continues with It’s A Wonderful Life: A Live Radio Play, running from December 13-29, 2024. This unique production reimagines the classic holiday story in the style of a 1940s live radio broadcast, honoring the theater's history of radio plays while offering a fresh perspective on its timeless themes of love, redemption, and community. The story follows George Bailey, who contemplates ending his life on Christmas Eve, only to be reminded of the impact he has on those around him.
Directed by Brittany D. Henderson, who returns after last year's successful The Giver, the production features an ensemble cast including Marie Tjernlund, Evan Collier, and Ellie Jay McKee. Henderson draws inspiration from the moon, seeing it as a symbol of both endings and new beginnings, echoing George Bailey’s journey in the story.
Performances are Fridays and Saturdays at 7:30 PM, and Sundays at 2:00 PM, with a special "Pay What You Can" performance on Sunday, December 22 at 7:30 PM. Tickets are available at the box office or online. The production is designed by a talented team, with scenic design by Joshua E. Gallagher, lighting by Alonna Hall, and sound by Dylan Twiner, among others.
Later in the season, Lakewood Playhouse will present The Laramie Project, For Colored Girls Who Have Considered Suicide/When The Rainbow Is Enuf, and The Spitfire Grill.
Season tickets, Flex Passes and single tickets are all available. Call the Box Office at (253) 588-0042 or visit www.lakewoodplayhouse.org to book online.
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3rd Annual Hilltop Neighborhood Tree Lighting
The Hilltop neighborhood is set to sparkle with holiday cheer as the 3rd Annual Hilltop Christmas Tree Lighting ceremony takes place on December 14th, 2024. This cherished community tradition invites residents and visitors alike to gather for a festive evening of celebration, unity, and the magic of the holiday season.
Event Details:Date: December 14, 2024
Time: 5:00pm – 6:30pm
Location: Tacoma Urban Performing Arts Center, 1105 MLK Jr Way Tacoma WA 98405
Cost: Free and open to the public
The Hilltop Christmas Tree Lighting has quickly become a hallmark event, drawing people of all ages to experience the wonder of the holidays in the heart of Tacoma’s vibrant Hilltop community. This year’s celebration promises to be the biggest and brightest yet, featuring:
Live Entertainment - Family Activities - Holiday Treats
The Tree Lighting Ceremony: The highlight of the evening, watch as the magnificent Tree of life Mural painted by Artist Jeremy Gregory is illuminated in a dazzling display of lights, symbolizing hope, joy, and community spirit.
“The Hilltop Christmas Tree Lighting is more than just an event—it’s a celebration of the resilience and togetherness that define our neighborhood,” said DéShawn Morton, T.U.P.A.C School Director. “We’re excited to welcome everyone to join us in creating new memories and sharing the magic of the season.”
This event is made possible through the generous support and community organizing efforts of Hilltop Action Coalition, Red Elm Café, community volunteers, and the dedication of local organizations committed to making Hilltop shine bright.
For more information about the 3rd Annual Hilltop Christmas Tree Lighting, visit www.tacomaupac.org or contact office@tacomaupac.org
Neighborhood News
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A Few New Laws Take Effect in 2025. Do They Affect You?
WA’s New Paid Sick Leave - (SB 5793) means workers, including those who drive for transportation companies, will have access to paid sick leave.
New Law for App-Based Workers - (Seattle Council Bill 120580) requires companies to to have clear and reasonable policies for deactivating workers, those workers must receive 14 day notification of deactivation, and more.
License Plate Law - having a cover on your license plate will result in a fine.
Smoke Evacuation Laws for Health Care Workers - (Substitute House Bill 1779 ) requires health care employers to adopt smoke evacuation systems during certain procedures.
Law Prohibiting Mandatory Overtime - prohibits mandatory overtime for hospital employees involved in patient care, like nurses, surgical techs and other clinical staff, that are paid hourly or covered by a collective bargaining agreement.
Minimum Wage: the new state minimum wage will be $16.66 per hour.
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Home in Tacoma Ordinance Passage Changes Upcoming Code
With the passage of the Home in Tacoma ordinance, and code changes that will become effective on February 1, 2025, PDS is encouraging property owners and developers who are currently working on proposals under the new code to take advantage of our Pre-Development Review process. Participation in the new process will ensure their project is on track and compliant with Home in Tacoma regulations before finalizing building plans and applying for permits.
This preliminary review process is similar to our current Pre-Development Review Service, but it will require a more detailed land use code analysis and plans as part of the submittal (link for more information).
This special “Home in Tacoma Pre-Development Review” is available now through January 31, 2025, for projects that are expected to be completed after the Home in Tacoma zoning and code amendments go into effect on February 1, 2025.
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City Council Approves Resolution to Continue Critical Street Improvements
The Tacoma City Council has approved a resolution to continue funding street improvement projects through the Transportation Benefit District, which will maintain a 0.1 percent sales tax, effective April 1, 2026. This tax rate will replace the existing one, which is set to expire in March 2026. The funding will support ongoing infrastructure improvements, with at least 15 percent allocated for safety measures such as sidewalks, streetlights, and traffic-calming features.
Since its creation in 2015, the Transportation Benefit District has funded key initiatives like enhancing pedestrian safety, improving residential streets, and supporting business access. The ongoing funding is crucial for maintaining the progress made and addressing Tacoma's infrastructure needs.
Council Members John Hines and Kristina Walker emphasized the importance of investing in safety and accessibility, especially for pedestrians, cyclists, and those using other non-motorized transportation. The resolution aligns with Tacoma’s strategic priorities, including equity, economic impact, and livability.
Additionally, a citywide survey revealed that 75 percent of residents are dissatisfied with the condition of Tacoma’s arterial roads, highlighting the need for continued investment. On December 17, the City Council will vote on whether to place a proposition on the April 2025 ballot, which could secure an additional $25 million annually for street and sidewalk improvements, funded through a slight increase in utility bills and property taxes.
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Low Flying Helicopter Signals Code Silver Search Methods
On December 11, 2024, residents of Tacoma were startled by a low-flying helicopter broadcasting messages via loudspeaker. The Tacoma Police Department confirmed that the helicopter was part of a search operation for 62-year-old Stephen Dockery, who had gone missing earlier that evening while walking his dog, Sue. Mr. Dockery, who has dementia, was later found safe and returned home.
The use of aerial announcements is a standard procedure in Code Silver alerts, which are issued for missing endangered adults. Authorities employ such measures to quickly disseminate information to the public, especially in urgent situations involving individuals with cognitive impairments.
While the helicopter's presence caused some alarm among residents, the swift and coordinated efforts of law enforcement and the community contributed to the successful resolution of the incident. The following day, the Tacoma Police Department announced that both Mr. Dockery and Sue had been located and safely returned home. The department expressed gratitude to the community for their vigilance and support during the search. -
Campfire Coffee Opens at New TPU Building Location
Campfire Coffee Co., a Tacoma-based coffee shop renowned for its open-flame roasted beans and commitment to community engagement, has officially opened its second location. The grand opening was marked by a long line of enthusiastic patrons, freshly baked muffins, and baristas diligently crafting numerous espresso beverages. A live DJ added to the celebratory atmosphere, spinning tracks that energized the crowd.
The original café is situated at 1554 Market Street, Tacoma, WA 98402. The new branch is located within the Tacoma Public Utilities building at 3628 S 35th Street, Tacoma, WA 98409
The journey to this expansion was challenging, taking over a year to materialize. Co-founders Quincy and Whitni Henry expressed pride in their perseverance and gratitude towards those who supported them throughout the process. They emphasized their dedication to creating a welcoming space that continues the tradition of bringing people together over quality food and drinks.
Campfire Coffee Co. is distinguished not only by its unique roasting method but also by its mission to increase access to outdoor activities and the specialty coffee industry for underrepresented groups. The new location aims to uphold these values, providing a space that feels like home and fosters genuine connections within the Tacoma community. -
Hard Times for Pet Food Bank in Tacoma
The Puget Sound Pet Food Bank has announced the temporary closure of its Tacoma location, effective December 28, 2024, due to financial constraints amid rising demand. Despite ongoing in-kind and monetary donations, the nonprofit is unable to meet the increasing number of families seeking assistance, leading to unsustainable operating costs.
In response, the organization plans to expand operations at its Spanaway location, situated at 21006 Mountain Highway East. Starting in January, this facility will open on the second and fourth Saturdays of each month to accommodate those affected by the Tacoma closure. The nonprofit emphasizes that this is a temporary measure and is actively seeking a new location to resume full services in Tacoma.
The Humane Society for Tacoma and Pierce County has also reported increased demand for pet food and supplies, indicating a broader regional need for such services. Community members are encouraged to support these organizations through donations or volunteering to help sustain their vital efforts in assisting pet owners.
https://www.pugetsoundpetfoodbank.org/
Need recommendations for how to spend your weekend?
Our online community calendar has you covered!
Opportunities
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City of Tacoma Rolls Out its LEAP Program for Local Workforce Training
The City of Tacoma is launching its Local Employment and Apprenticeship Training Program (LEAP) with informational workshops on December 19. The program aims to address training and employment gaps by connecting participants with tools to meet labor needs in city-funded public works and service contracts.
Two one-hour workshops will be held at the Tacoma Municipal Building (747 Market Street), one at 8 AM and another at 3:30 PM. Attendees can join in-person or virtually. The workshops will cover the program's goals, workforce requirements, and how businesses can assess if their employees meet LEAP criteria.
LEAP offers both incentives for compliance and penalties for non-compliance, encouraging businesses to meet employment and equity standards in city contracts. The workshops will also explain these rewards and penalties in detail.
For more information you can visit the city’s website.
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Tacoma Dome Seeks Sponsor
The City of Tacoma (City) through its Tacoma Venues & Events (TVE) department is seeking proposals from qualified companies to provide consulting services to evaluate sponsorship and business development opportunities for public assembly facilities owned by City and operated by TVE, including:
Tacoma Dome:
— Full naming rights
—Naming rights for reduced capacity setups (ie, Theater of the Clouds, Portland, OR)
—Affinity areas - ticketing, premium spaces, lobbies, entrances, parking lots
Greater Tacoma Convention Center:
—Affinity areas - ballrooms, exhibition halls, entrances
Tacoma City Theaters:
—Affinity areas - ticketing, premium spaces, lobby
Tacoma Dome (capacity 22,000) is an iconic venue known for its versatility in hosting concerts, sports events, and community gatherings. As a prominent landmark in Tacoma, the venue presents significant opportunities for sponsorship, naming rights, premium seating, and other revenue streams. Tacoma Venues & Events is interested in establishing an alternate identity to increase bookings in a reduced capacity setup (7K and lower capacity) which presents a potential naming rights opportunity.
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Pierce County is Seeking Mural Artists for Election Center
Pierce County is seeking artists to design a large-scale mural for the Election Center in Tacoma, as part of the County's 1% for the Arts Program. The mural, covering 2,200 sq. ft. on four exterior walls, will encourage visitors to engage with the electoral process. It should feature elements of Pierce County's natural environment, landmarks, or abstract representations of these themes. The project budget is up to $60,000, and up to four artists or artist teams will be selected, each receiving $1,000 for their design.
Artists or teams interested in applying must submit a portfolio and qualifications to the Pierce County Arts Commission by the deadline of February 3, 2025. An informational webinar will be held on December 16 at 11 a.m. Full submission details are available on the Election Center Mural Project website.
The mural is part of Pierce County's 1% for the Arts Program, which allocates 1% of the budget for eligible public construction projects to support public art.
Recreation & Wellness
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12 Free Days to Visit Parks in 2025
Typically you need a Discovery Pass to visit Washington State Parks but there are 12 days in 2025 the parks will be free to use. And since we are inching closer to the new year, here they are to get your year planned out.
- January 1st: New Year’s Day
- January 20th: MLK Jr Day
- March 9th: Billy Frank Jr’s Birthday
- March 19th: WA State Park Systems Founding Anniversary
- April 22nd: Earth Day
- June 7-8th: Free Fishing Day
- June 19th: Juneteenth
- August 9th: Smokey Bear’s Birthday
- September 27th: National Public Lands Day
- October 10th: Mental Health Day
- November 11th: Veteran’s Day
Outside of these 12 days, you can use a Discover Pass by purchasing yours online for $35. You can also buy a 1 day pass for $11.50.
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Grief Workshop - Hope for the Holidays
Cynthia Zink, Grief & Loss Facilitator, will be hosting a grief and loss session for all who are concerned about facing the holidays without the loved ones that they have lost, either recently or throughout life.
The Holidays can often be difficult when gathering with family and friends and Cynthia will be offering tools that you can use as you move through your journey of loss. This is also a safe place for you to be able to express how you are feeling with others who may be experiencing similar circumstances.
This will be held at Center for Spiritual Living Tacoma on Saturday, December 14, from 1:00-2:30pm. There will be a small fee of $10 per person. Please let Cynthia know if you will be attending: cynthiazink65@gmail.com. Pre-registration is not required but is appreciated.
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Looking to Visit Spanaway's Fantasy Lights? Check This Out First
Spanaway Loop Closure - Expect Traffic
Heads up Fantasy Lights attendees: The Spanaway Loop Road South is currently closed between 116th Street South and Garfield Street South due to the Parkland/Brookdale Interceptor Phase 4 sewer construction project. Expect increased traffic in the area, so be sure to plan your trip to Spanaway Park to see Fantasy Lights accordingly. The closure will remain in effect until early 2025, with detours directing traffic via 112th Street South, Pacific Avenue, and Tule Lake Road South.
To make the most of your Fantasy Lights experience, try visiting between Monday and Wednesday to avoid larger crowds. The park tends to be busiest on weekends and the week leading up to Christmas, which can result in longer wait times and lines. By choosing weekdays, you’ll enjoy a more relaxed visit.
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Salmon Saturday at Swan Creek
Visit Swan Creek Park for Salmon Saturday on Dec 14 from 12-2 pm. You might see salmon swimming upstream and you’ll learn a lot from the scientists and organizations on site.
Be sure to stop by the Tacoma Nature Center booth to pick up a Salmon Challenge Card and get entered to win prizes.
Discover the fun at https://bit.ly/salmon-challenge
Tacoma Public Utilities TAPCO CU
Event is held at the Pioneer Way entrance of the park.
Film & TV Reviews
In the day and age of sensationalized journalism where journalistic integrity is thrown out the window in the name of clicks and being the first to know, September 5 feels perfectly timed. We follow an American sports broadcasting crew who thrust itself into covering the Munich massacre at the 1972 Summer Olympics, where 11 members of the Israeli Olympic Team were murdered by Palestinian militants. The news crew is forced to confront their integrity in this cleverly crafted journalistic thriller.
First and foremost, it must be made clear that September 5 is not concerned with offering a commentary on the Israeli-Palestinian conflict. This choice may disappoint some viewers expecting a deep dive into the political complexities of the Munich massacre. Instead, the film uses this tragic historical event as a powerful backdrop to explore a different, but equally relevant, issue: journalistic integrity. By focusing on the ethical dilemmas faced by a news crew during a time of crisis, September 5 delivers a searing critique of modern media practices while crafting a tense and thought-provoking narrative.
The film follows a group of American journalists stationed just a few hundred yards from the unfolding hostage situation during the 1972 Summer Olympics. Their unique proximity to the event gives them a distinct advantage over their competitors—they can provide real-time updates that no other network has access to. However, this advantage quickly becomes a double-edged sword. As the gravity of the situation deepens, the crew finds themselves navigating a perilous ethical minefield, torn between the need to inform the public and the temptation to exploit the tragedy for higher ratings.
The journalists grapple with questions that strike at the heart of their profession. "Can we show someone being killed on live television?" "Are we playing into the terrorists' hands by giving them the global platform they want?" "How do we report the most accurate information when so much remains unconfirmed?" And then, lingering in the background, a darker, unspoken question: "What will this do for our ratings?" These dilemmas create a suffocating atmosphere within the newsroom, where tensions run high, emotions flare, and smoke-filled air reflects the moral haze clouding their decision-making. It’s not just about how to cover the story—it’s about whether they should cover it at all.
September 5 is a masterfully crafted journalistic thriller that grabs hold of you and doesn’t let go. The film’s technical achievements are just as compelling as its narrative. The editing is razor-sharp, creating a relentless pace that mirrors the urgency of live reporting, while the cinematography immerses viewers in the stifling intensity of the newsroom. Every frame feels alive with sweat, smoke, and barely contained chaos, pulling you into the story’s moral complexities. The ensemble cast is exceptional, delivering nuanced performances that breathe life into characters torn between ambition, duty, and conscience. The result is a gripping cinematic experience that feels both timely and timeless.
However, the film does face one notable challenge—it feels somewhat detached from the victims of the massacre. This choice seems intentional, reflecting the journalists’ own disconnect as they remain fixated on ratings and the demands of their broadcast. Yet, in mirroring this perspective, the film risks falling into the same trap as its protagonists, inadvertently sidelining the human cost of the tragedy. Additionally, while the film explores the conflict surrounding journalistic integrity, this theme could have been developed more deeply. The ethical dilemmas are present and compelling, but they often feel under explored. A more thorough examination of the moral stakes and the internal struggles of the characters could have elevated the narrative, adding greater depth to the commentary on the responsibilities and failings of the media.
While September 5 may have been bolstered by artificial hype from outlets like The Hollywood Reporter, it more than earns its praise with a surprisingly compelling execution. The film skillfully brings its premise to life, balancing historical events with sharp commentary on journalistic ethics. Every element, from the tight pacing to the attention to detail, works together to deliver a well-crafted and engaging story that surpasses initial expectations.
My Rating: B+
Film Review: September 5
By: Elizabeth Malloy
I first experienced Queer at the Toronto International Film Festival, going in with no idea what to expect. The film turned out to be completely different from anything I had anticipated. Overwhelmed by a whirlwind of emotions, I felt it deserved a second viewing before I could craft a full review. Now, three months later, after revisiting it, I find myself still uncertain about how to feel. Queer is undeniably a peculiar and enigmatic exploration of sexuality, but at times, it seems to veer into strangeness to its own detriment.
We follow William "Bill" Lee (Daniel Craig), an American expat living in Mexico City, whose life is a haze of alcohol, opioids, and fleeting encounters. His days are consumed by his vices—until he crosses paths with Eugene Allerton (Drew Starkey), a recently discharged Navy serviceman. Bill quickly becomes infatuated with Eugene and becomes fixated on using telepathy to uncover whether Eugene is truly queer. On paper, this premise might seem like a straightforward queer romance—aside from the telepathy—but in execution, it’s anything but straightforward.
Overall, I was surprisingly indifferent to Queer's stylized approach, which caught me off guard as this kind of artistic exploration is usually right up my alley. The film unfolds as a psychological fever dream, delving into themes of sexuality, loneliness, and addiction. Its narrative is fragmented, with small, isolated incidents propelling the story forward, punctuated by haunting, nightmarish dream sequences that perfectly reflect the chaotic mindset of an alcoholic and opioid addict.
For the first 30 minutes, Luca Guadagnino crafts an engaging and vibrant atmosphere, focusing on male loneliness and the therapeutic, albeit fleeting, pleasures of sex. During this portion, the story is at its most straightforward, with an almost hypnotic rhythm to its exploration of human connection. However, the film takes a dramatic turn with the introduction of Eugene Allerton, throwing William "Bill" Lee into a spiral of obsession. This marks the beginning of the film's descent into a surreal fever dream, where reality and fantasy blur beyond recognition.
Eugene gives Bill mixed signals, which only fuels Bill’s fixation. Desperate to uncover the truth about Eugene’s sexuality, Bill’s obsession becomes all-consuming after their initial hookup. As Bill’s insecurities and fear of losing Eugene take hold, the relationship begins to unravel. Eugene gradually realizes that their fling is far from the carefree romance he might have envisioned. This is where the narrative becomes its most fragmented, taking the audience on a disjointed journey across multiple countries as the couple makes their way to Ecuador.
Once they arrive in Ecuador, the film reaches its most surreal and divisive point. Here, Guadagnino unleashes a series of dreamlike sequences that are as unforgettable as they are polarizing. This portion of the film leans heavily into the "queer" in its original sense—strange and uncanny, rather than explicitly gay. The emphasis on style over substance is particularly pronounced, with minimal dialogue, cryptic glances, and a heavy infusion of Latin American aesthetic influences. While the bold visual and atmospheric choices are admirable, they lack the narrative weight to ground the experience. In the end, while I respect the film’s daring artistic vision, its overwhelming reliance on style leaves it feeling hollow.
For a film so intent on exploring deep emotional and psychological themes, Queer ultimately left me craving more substance to balance its striking imagery.Regardless of how you feel about the story, one thing is undeniable: Daniel Craig delivers the performance of his career. He is utterly captivating as Bill, a deeply broken man desperate for connection—a longing that ultimately becomes his undoing. Craig’s portrayal is layered and raw, capturing both the vulnerability and self-destructive tendencies of his character with astonishing nuance. Jason Schwartzman, in contrast, lights up every scene he’s in. Though his role is limited, he leaves a lasting impression with his portrayal of an eccentric and flamboyant gay character, bringing much-needed bursts of energy and humor to the film.
Drew Starkey’s performance, however, is a different story. His portrayal of Eugene is perplexing. While it’s clear the character is meant to be enigmatic and hard to read, Starkey takes this to an extreme, rendering Eugene almost entirely inscrutable. Instead of mystery, his performance comes across as flat and lifeless, leaving him a blank slate—an emotional cipher that’s difficult to connect with. Whether this is a directorial choice or a limitation in Starkey’s acting is unclear, but one thing is certain: Eugene is pivotal to the story. With such a lackluster portrayal, the entire film struggles to hold together, as the emotional and narrative weight hinges on a character who feels more like a block of wood than a fully realized individual. This misstep undermines the film's otherwise ambitious exploration of its themes.
Overall, Queer is a peculiar and deeply unconventional film that left me feeling mostly indifferent. It’s a work that straddles the line between brilliance and alienation, with certain elements I genuinely admire and others that failed to resonate. The film's ambition is evident in its willingness to take risks and push boundaries, but its experimental and arthouse approach may alienate viewers who prefer more traditional storytelling.
While I could follow the narrative, its fragmented structure and surreal detours demand a lot from the audience. The dreamlike sequences and disjointed pacing create an atmosphere that feels intentional but not always effective. For fans of arthouse or cinema, Queer might offer a rewarding, if challenging, experience. However, for those who prefer straightforward narratives or clear resolutions, this film is unlikely to satisfy. It’s a work that thrives on its oddities, but those same quirks can also make it feel inaccessible.
My Rating: B-
Film Review: Queer
By: Elizabeth Malloy
Maria marks the third film in Pablo Larraín's exploration of complex leading ladies, following Jackie (2016) and Spencer (2021). Angelina Jolie steps into the role of the legendary opera singer Maria Callas, where we follow her during the final week of her life. While the premise holds the promise of a modern masterpiece, the execution falls disappointingly short, making the missed potential all the more glaring.
The film follows Maria Callas during the final week of her life as her body deteriorates and her mind succumbs to hallucinations and delusions. In her isolation, she copes by recounting her life to an imaginary television journalist, whom she envisions accompanying her through her scattered daily routines. This fragmented structure mirrors her unraveling mind, offering a fascinating narrative frame for a biopic.
Rather than the conventional musical biopic that charts a star’s life and career, this approach feels more intimate and personal, promising an exploration of who Maria Callas truly was rather than a mere "greatest hits" retrospective. Unfortunately, Maria falters narratively by failing to commit to this potential.
The film seems reluctant to delve into the complexities and controversies of Callas' life, opting instead for a superficial portrayal that leaves the audience with only a surface-level understanding of La Callas.
The real tragedy of Maria isn’t just its shallow exploration—it’s that it’s outright dull. The film offers no meaningful insight into La Callas, and what little we’re shown feels hollow. We don’t truly witness the anguish of losing her voice or her struggle to reclaim it. Nor do we see her resilience in the face of the abuse she endured from her partners. These pivotal aspects of her life are left unexplored, replaced by repetitive scenes of Maria aimlessly wandering the empty streets of Paris or languishing in her apartment, consumed by sadness.
While Larraín has carved out a niche for character studies of melancholy women, Maria fails to go beyond surface-level despair. A woman simply being sad all the time is not a character study—it’s a missed opportunity to delve into her depth, complexity, and humanity.
Now that we’ve addressed the film’s shortcomings, let’s turn to its strengths. As with all of Pablo Larraín’s work, Maria is a visual masterpiece. Every frame is composed with the care and artistry of a painting, making the film a feast for the eyes. The cinematography is particularly striking, capturing the melancholic beauty of Maria Callas’ world with haunting precision. The interplay of light, shadow, and texture creates an atmosphere that feels both intimate and grand, drawing the viewer into her fragmented reality.
The film’s costume and production design are equally remarkable. Each detail, from the luxurious fabrics of Callas’ wardrobe to the elegant yet solitary spaces she inhabits, evokes the grandeur and isolation of her life. These elements work together to transport us to the opulent yet lonely world of La Callas, where her iconic presence is matched by the visual splendor surrounding her.
Furthermore, as with all of Larraín's leading ladies, Angelina Jolie fully commits to her role, embodying Maria Callas with a powerful and captivating presence. Her portrayal of the iconic singer in her final days captures the vulnerability and grace that defined Callas, and Jolie’s dedication to the character is evident in every scene. However, her performance, while impressive, feels restrained—it leans more toward a skillful impersonation than a truly transformative portrayal. Despite Jolie's best efforts, the film’s surface-level script offers little depth for her to explore, leaving her unable to fully immerse the audience in Callas' inner complexities. Jolie’s talent shines through, but the material ultimately limits the impact of her performance.
Overall, Maria left me disappointed. It had all the ingredients to craft a compelling character study of one of the greatest opera singers in history, but instead, it prioritizes aesthetic appeal over meaningful character exploration. While the film captures beautiful visuals and an atmospheric tone, it ultimately sacrifices depth, leaving a shallow portrait where there should have been a profound exploration of Maria Callas' life and legacy.
My Rating: C+
Film Review: Maria
By: Elizabeth Malloy
Screenshots
We scrolled so you don’t have to: